千文網(wǎng)小編為你整理了多篇相關(guān)的《幸福的終點(diǎn)站觀后感(范文5篇)》，但愿對(duì)你工作學(xué)習(xí)有幫助，當(dāng)然你在千文網(wǎng)還可以找到更多《幸福的終點(diǎn)站觀后感(范文5篇)》。
第一篇：幸福終點(diǎn)站觀后感
幾年前，網(wǎng)絡(luò)上曾經(jīng)有一句非常流行的話：“在感情里，不被愛的那個(gè)人才是第三者。”
每次看到這句話，我內(nèi)心都會(huì)涌出一股悲涼，內(nèi)心多扭曲的人才會(huì)認(rèn)為這句話是對(duì)的？
誠(chéng)然，這個(gè)世界上有很多貌合神離的夫妻，也有很多不為人知的婚外情，但不是每段感情，都是被世人所接受的。不管怎么樣說，妻子就是妻子，第三者就是第三者。
明知對(duì)方有家庭還不愿意放手的女人，始終會(huì)背上“第三者”的罵名，永遠(yuǎn)無(wú)法擺脫別人異樣的眼光。
也許有很多人覺得：“雖然我現(xiàn)在是第三者，但我相信，只要我肯‘熬’，終有一天能成為他真正的妻子，到時(shí)候我一定會(huì)過得比現(xiàn)在幸福。”
如果事實(shí)真的如此，那怎么會(huì)有那么多被人唾罵，最后悲劇收?qǐng)龅牡谌撸?/p>
其實(shí)，那些做第三者的人，從一開始就錯(cuò)了。
首先，有些男人婚外情，并不是為了找“真愛”，而是想找尋一段婚姻外的刺激。感情濃烈時(shí)，他們可以周旋在家庭和婚外情之間，而感情的新鮮感過去之后，他們說不定還是會(huì)回歸家庭。
最后，受傷的還是那些做第三者的女人。
其次，那些愿意在婚姻外找第三者的男人，本身就不是值得托付的人。他們可以為了一個(gè)女人放棄自己的家庭，也可以再為了下一個(gè)女人放棄剛剛“轉(zhuǎn)正”的女人。
有婚外情的男人，始終是無(wú)法長(zhǎng)情的，對(duì)誰(shuí)都一樣。
除了這些，還有另外一個(gè)很現(xiàn)實(shí)的問題，那就是男人如何看待做第三者的女人。
在電視劇《回家的誘惑》中，有一個(gè)片段讓我印象深刻。當(dāng)洪世賢拋棄原配林品如，和第三者艾莉在一起后，他多次提到一句話：“你自己就是第三者，憑什么說別人?！?/p>
這樣的話，我相信沒有一個(gè)女人能平靜地忍受。
但很遺憾，這就是大部分男人對(duì)第三者的看法。他們可以用花言巧語(yǔ)去哄第三者開心，但卻始終沒有辦法用看待妻子的眼光去看待第三者。他們心里明白，這段感情是不道德的，連他們自己，也看不起身旁的這個(gè)女人。
每段成熟的感情，都離不開雙方的平等與尊重。一旦有一方看不起另一方時(shí)，這段感情就已經(jīng)失去了正常的節(jié)奏。被看不起的一方只有兩條路，要么默默忍受，要么揮手離開，可不管怎么選，最后受傷的都是女人。
感情沒有捷徑，想要擁有一段長(zhǎng)久的感情，就要正大光明地開始，一步一步慢慢相愛。那些明知自己是第三者還要繼續(xù)的人，注定只能是悲劇收?qǐng)觥?/p>
希望那些做第三者的女人，能迷途知返，也希望我們永遠(yuǎn)不會(huì)遇到第三者。
因?yàn)闊o(wú)論怎么過，第三者的結(jié)局，永遠(yuǎn)是悲劇。
END
今日話題：
那些甘愿做第三者的人，到底是怎么想的？
來(lái)留言聊聊你的觀點(diǎn)吧。
第二篇：幸福終點(diǎn)站英文觀后感
This is a film of love and reason.
It has two parts, one is the extraordinary experience of victor that we keep seeing throughout the film; The other part is the clue of love. Victor kept a promise made by his father, and the Indian old man stopped the plane resolutely. At the end, Victor finally said goodbye to this period of displaced life, which moved me a lot.
Victor's experience has given me a glimpse into real life. It can be very difficult to enter a completely new environment. In the face of these, should learn victor's desire to be at ease, to adapt to this strange environment.
People are complicated and life is full of changes. Perhaps this is life itself. In the face of all kinds of variables, improve our ability to resist pressure in the heart, so that we will become strong. When we are confused, do not feel despair, optimistic look at everything, rely on their own ability to survive.
In the film, Victor makes a living by placing carts, and is finally chosen as a construction worker by an engineer. All of these can be seen that he is positive to face life, and does not complain, fully accept the reality!
In the past, no matter regret or miss, we go back. No one can predict the future, can grasp only now, to play a good role in the present, to live real.
The beginning of the film is the airport. Although the airport is only a small physical space, there are lots of joys and sorrows here every day, and all kinds of people deduce their own life stories here. The airport may be a microcosm of American society at large.
When the movie played Victor to save the poor man, I was very moved, he can in his own plight to help people who have never met, it is worth learning, it suddenly occurred to me that gold always shine, and IF I let the light shine on everyone!
Through the experience of the elderly Indians, I saw that the Surface of the United States is calm, but its essence is like boiling water. People are sentient, the system is cold and heartless.
A system can embody a country's style, but not all its people. Victor's second job may be a bargain, but it's also a sign of his optimism and willingness to help. Because of this, he became good friends with many people at the airport! It also tells us to help the people around us in need, when we need help, we won't be lonely and helpless!
Victor is persistent and he goes to New York for his father's promise, to wait for a phone call, to wait for a person with all his heart. Rely on their own efforts to strive for happiness.
This movie is just a part of life. Life doesn't end when the movie ends. The ending of this article may be relatively satisfactory, but what makes me more satisfied is that Victor has fulfilled his promise through continuous efforts!
第三篇：幸福終點(diǎn)站英文觀后感
If you are in a foreign country and suddenly hear the smoke of war in your native land, and you have no one to acknowledge your identity, you don't speak the language, you have no money, and you are held at the airport. What should you do?
The great director Steven Spielberg sketched such a background, told such a story, portrayed such a character. Viktor Navorski, a Passenger from Kakonia, arrived at Detroit airport only to be told that there was a coup in Kakonia and that his passport and other forms of identification could no longer be approved for entry. The civil war continues and all flights back home have been grounded. Viktor Navorski became an "unacknowledged man." Unable to return home or set foot in the United States, he had nowhere to go but the terminal, and Airport director Dixon told him to wait. The distraught Victor stayed in the hall. He could not find anyone who could help him because he did not understand English. The few food stamps he had were swept into the trash. Penniless and homeless, he was a desperate man.
Victor begins to look for a place in the terminal. Unused gate 69 became his home, and he washed in the bathroom every day and studied English hard. Soon Victor was copying the others and making money to buy food for the airport carts. But Dixon, the head of the airport, sees him as a problem and antagonizes him everywhere. Dixon arranged for someone to sort out the wheelbarrow, and Victor lost his job. Fortunately, he made friends with the young man who drove the food truck at the airport and the old cleaning man, Gupta, and had food and shelter. Victor encounters a beautiful stewardess, Celia, at the airport and tries to find a job in order to have dinner with her. As it happens, the wall he decorates is discovered by a contractor, and Victor is officially hired -- victor's life is actually on the right track. One day, the airport detained a looking mad Russian man, Dixon could not communicate with him; In desperation he thought of Victor. Victor held Dixon and the man steady. He used what he had learned at the airport to help the man out. Dixon was furious, but Victor became a hero at the Detroit airport. Every store has his handprint on it. He was greeted with a smile by every staff member. Cecilia met him once more. Pressed by Acelia, Victor tells the reason he insists on going to New York: to fulfill his father's last wish, he is going to New York to ask for an autograph from a jazz musician. I won't stop until I get what I want. Ecilia was deeply moved by Victor's sincerity.
On a sunny morning, the civil war in Kakonia was over, and Victor had been trapped in the airport for nine months. While everyone expected him to fulfill his vow, Dixon demanded his immediate return. And to repatriate Indian old man Gupta back to prison as a condition to threaten Victor. For friends Victor only choose to return home. As he waited for his flight, Mr Gupta chose to be arrested in exchange for his friend's dream. Everyone cried. Dixon was no longer in the way. America was open to Victor. New York was open to Victor. He finally fulfilled his promise and could go home in peace.
When America opens up to Victor, ying echoes the line that runs through the film: "Compassion is the most important thing." . Airports are like condensed American society, with all kinds of people, languages, nationalities, cultures... Victor's simple and honest smiling face and flexible brain, as well as his loyal character with friends moved enthusiastic American friends, especially after he saved the Russian man, but also won the recognition of friends of all races and nationalities. The cold law of rigor melts in the heart of compassion. Victor is actually gaining recognition in American culture. The two cultures blend and collide in a small airport, and the last flash is a sincere heart.
In just 120 minutes of clear storytelling, Spielberg uses a fictional story to illustrate his American values. What moves America, what is the most important character? The film tells us that it is perseverance and compassion.
第四篇：幸福終點(diǎn)站觀后感
這是一篇情與理并融的電影。
它有兩部分，一部分是貫穿于整個(gè)電影，我們一直可以看到的這個(gè)維克多一段不尋常的經(jīng)歷;另一部分就是情的線索，維克多遵守父親的一個(gè)承諾，印度老人毅然攔下飛機(jī)的時(shí)候，結(jié)尾維克多終于可以告別這一段流離生活的時(shí)候，這些都讓我比較感動(dòng)。
維克多的經(jīng)歷讓我看到了現(xiàn)實(shí)生活中的一部分。進(jìn)入一個(gè)完全陌生的環(huán)境中，處境會(huì)相當(dāng)困難。面對(duì)這些，應(yīng)該學(xué)會(huì)維克多的隨欲而安，去適應(yīng)這個(gè)陌生的環(huán)境。
人是復(fù)雜的，人生是充滿變數(shù)的?；蛟S這便是生活的本身。面對(duì)種種的變數(shù)，提高我們的心里的抗壓能力，這樣我們會(huì)變得堅(jiān)強(qiáng)。當(dāng)我們迷茫的時(shí)候，不要感到絕望，樂觀的看待所有的一切，靠自己的能力去生存。
影片中的維可多靠擺放推車維持生計(jì)，最后又被一個(gè)工程師看中成了建筑工人等等這一切都可以看出他是積極的去面對(duì)生活的，而且毫不埋怨，完全接受現(xiàn)實(shí)!
過去無(wú)論后悔也好，懷念也罷，我們我法倒回。將來(lái)誰(shuí)都無(wú)法預(yù)測(cè)，能夠把握的只有現(xiàn)在，要塌實(shí)充實(shí)的扮演好現(xiàn)在的角色，要過得真實(shí)。
影片開頭就是機(jī)場(chǎng)，機(jī)場(chǎng)雖然只是個(gè)小小的物理空間，但在這里，每天都上演著許許多多的悲歡離合，各式各樣的人在這里演繹著屬于自己的人生故事。這個(gè)機(jī)場(chǎng)或許正是整個(gè)美國(guó)社會(huì)的縮影。
當(dāng)電影演到維克多救那個(gè)可憐人時(shí)，我很受感動(dòng)，他可以在自己陷入困境的情形下救助從不相識(shí)的人，是非常值得我們學(xué)習(xí)的，這讓我突然想到這樣一句，是金子總要發(fā)光，而我要是讓光輝照耀每一個(gè)人!
通過印度老人的經(jīng)歷我看到了，美國(guó)表面的波瀾不驚，而實(shí)質(zhì)上卻如沸騰的開水。人是有情的，制度是冰冷無(wú)情的。
一個(gè)制度可以體現(xiàn)一個(gè)國(guó)家的風(fēng)格，卻不能代表所有這個(gè)國(guó)家的人民。或許維克多的第二份工作是一筆交易，但同樣能體現(xiàn)他的樂觀和樂于助人。正是因?yàn)槿绱俗屗驮跈C(jī)場(chǎng)的很多人都成為了不錯(cuò)的朋友!這也告訴我們幫助周圍的需要幫助的人，在我們需要幫助時(shí)，就不會(huì)孤獨(dú)無(wú)助!
維克多是執(zhí)著的他為了父親的承諾去紐約，可以去全心全意的去等一個(gè)電話，等一個(gè)人。靠自己的努力去爭(zhēng)取幸福。
這片電影只是生活中的的一部分，生活不會(huì)因?yàn)殡娪暗慕Y(jié)束而結(jié)束。本篇的結(jié)局或許是比較圓滿的，但更讓我滿足的是，維克多通過不斷的努力，兌現(xiàn)了自己的諾言!
第五篇：幸福終點(diǎn)站英文觀后感
When I first saw the name of The Terminal, I was guessing at the story. Think this is a sad ending, after all, "happiness" to "end", what should happiness say? But the so-called "ending" is the arrival of happiness after watching the movie. First of all, the misunderstanding of names may be caused by habitual thinking.
At the beginning of the film, there are sensitive issues, such as accusations that Chinese tourists have faked their documents to get through. Doesn't seem to have considered such a nomenclature? Surely the playwright knew that such a sensitive matter was off the record? But why does it still broadcast without hesitation? I think there should be a prototype in life at this point, and we'll just talk about that here. In addition to these slightly sensitive topics, I just want to talk about Victor's experience and some of my own feelings.
The film was very interesting at the beginning. Since Victor knew only a little English, he had a good sense of humor when he talked to the airport manager. At that time, he did not know that his country was in a civil war because of the war, and that his country had disappeared in the political sense. When the management explained it to him, he didn't know.
He seemed to be aware of something. When he got back to the airport lounge, he saw the news about his country on the airport TV. Even if he did not understand English, everything he saw in the pictures was enough to make him understand that his country was at war. In that moment, it was as if he had lost his soul. Anxiety and fear swept over him. He's been running around the airport. What are you trying to prove? It seems to me that this might ease his discomfort a bit. Finally, his heart was broken and he accepted the fact. You can imagine how helpless he must have been. In a strange country, he had no language and could not walk. Even food, clothing, shelter and transportation became a problem. At first, no one at the airport offered him a helping hand. Even the government is reluctant to accept this "trouble". He couldn't help it. He had to wait until his country ended the war, until his status was restored, until one day he could fulfill his promise.
There are many things in the film that move me deeply: first, when the airport manager needs Victor to answer his fear of his country, he says firmly no: "This is my country, my home, why am I afraid." It shows how stubborn Victor's love for his country is, nothing can change his country in his heart, our country will always be our country and our home, whether in war or in coups and civil strife. The power of this obsession is enormous and nothing can change it.
