千文網(wǎng)小編為你整理了多篇相關(guān)的《幸福終點(diǎn)站的觀后感(范文五篇)》，但愿對(duì)你工作學(xué)習(xí)有幫助，當(dāng)然你在千文網(wǎng)還可以找到更多《幸福終點(diǎn)站的觀后感(范文五篇)》。

第一篇：幸福終點(diǎn)站英文觀后感

If you are in a foreign country and suddenly hear the smoke of war in your native land, and you have no one to acknowledge your identity, you don't speak the language, you have no money, and you are held at the airport. What should you do?

The great director Steven Spielberg sketched such a background, told such a story, portrayed such a character. Viktor Navorski, a Passenger from Kakonia, arrived at Detroit airport only to be told that there was a coup in Kakonia and that his passport and other forms of identification could no longer be approved for entry. The civil war continues and all flights back home have been grounded. Viktor Navorski became an "unacknowledged man." Unable to return home or set foot in the United States, he had nowhere to go but the terminal, and Airport director Dixon told him to wait. The distraught Victor stayed in the hall. He could not find anyone who could help him because he did not understand English. The few food stamps he had were swept into the trash. Penniless and homeless, he was a desperate man.

Victor begins to look for a place in the terminal. Unused gate 69 became his home, and he washed in the bathroom every day and studied English hard. Soon Victor was copying the others and making money to buy food for the airport carts. But Dixon, the head of the airport, sees him as a problem and antagonizes him everywhere. Dixon arranged for someone to sort out the wheelbarrow, and Victor lost his job. Fortunately, he made friends with the young man who drove the food truck at the airport and the old cleaning man, Gupta, and had food and shelter. Victor encounters a beautiful stewardess, Celia, at the airport and tries to find a job in order to have dinner with her. As it happens, the wall he decorates is discovered by a contractor, and Victor is officially hired -- victor's life is actually on the right track. One day, the airport detained a looking mad Russian man, Dixon could not communicate with him; In desperation he thought of Victor. Victor held Dixon and the man steady. He used what he had learned at the airport to help the man out. Dixon was furious, but Victor became a hero at the Detroit airport. Every store has his handprint on it. He was greeted with a smile by every staff member. Cecilia met him once more. Pressed by Acelia, Victor tells the reason he insists on going to New York: to fulfill his father's last wish, he is going to New York to ask for an autograph from a jazz musician. I won't stop until I get what I want. Ecilia was deeply moved by Victor's sincerity.

On a sunny morning, the civil war in Kakonia was over, and Victor had been trapped in the airport for nine months. While everyone expected him to fulfill his vow, Dixon demanded his immediate return. And to repatriate Indian old man Gupta back to prison as a condition to threaten Victor. For friends Victor only choose to return home. As he waited for his flight, Mr Gupta chose to be arrested in exchange for his friend's dream. Everyone cried. Dixon was no longer in the way. America was open to Victor. New York was open to Victor. He finally fulfilled his promise and could go home in peace.

When America opens up to Victor, ying echoes the line that runs through the film: "Compassion is the most important thing." . Airports are like condensed American society, with all kinds of people, languages, nationalities, cultures... Victor's simple and honest smiling face and flexible brain, as well as his loyal character with friends moved enthusiastic American friends, especially after he saved the Russian man, but also won the recognition of friends of all races and nationalities. The cold law of rigor melts in the heart of compassion. Victor is actually gaining recognition in American culture. The two cultures blend and collide in a small airport, and the last flash is a sincere heart.

In just 120 minutes of clear storytelling, Spielberg uses a fictional story to illustrate his American values. What moves America, what is the most important character? The film tells us that it is perseverance and compassion.

第二篇：幸福終點(diǎn)站英文觀后感

The Terminal is a good film that is funny, entertaining and deals with some good ol fashioned drama situations. It felt very much like a documentary at times, maybe due to the fact its based on a true story from the 1980s, but that didnt retract from the enjoyment factor. To say its a story all about the trials and tribulations of just one man is perhaps a little too shallower way to sum it up but at certain times, you do wonder if the films going anywhere. Such it is that the film DOES contain a few laughable moments adding to its comedy tag.

These come at certain intervals and everything in-between is just filla. So there are some good, comic moments but in my opinion, there arent as many funny parts to make you laugh all the way through. The film deals with slapstick humour in parts such as slipping over a wet floor or walking into a window. Its those sort of moments that do sort of distract from the film slightly.

Some of the stories within the film also feel generally annoying in the sense of the point of them being there. The film was supposed to be about one man (Hanks) I thought, NOT solely about anyone else and so I was rather surprised to see the little story about the food/cafeteria delivery worker attempting to get one of the other airport workers to fall in love with him. Things like that were flawed and distracted from the actual film. As I said before, that particular story line acted as a filla; a way of upping the film length and it was disappointing.

Hanks acting is good and although his accent was terribly annoying early on, I managed to adjust accordingly and with stand it all the way through. The character Gupta is also rather amusing; using the simple concept of forcing people to slip up on his own polished floor merely for his amusement was rather odd- odd but funny none-the-less. Zeta-Jones character and performance was also tolerable. She wasnt in the film much I didnt notice but its a good feeling when you realize Hanks has someone to really relate to as you stat to feel as if your feeling sorry for Hanks if you get into it too much and the acting from Zeta- Jones is some relief at least.

All in all I think youll enjoy The Terminal if youre the patient type. Its got a bit of humour, a bit of tragedy, a hint of romance and some moments where youll really feel good for the characters as they finally get what they want after the last half an hour or so was probably built up to will it/they or wont it/they not to mention the film itself on Hanks struggle with staying in the airport.

第三篇：幸福終點(diǎn)站觀后感

遇見男主維克多時(shí)，艾米莉亞并沒(méi)有和那個(gè)男人了斷。她還在等待，等待他能離開原本的家庭，給自己一個(gè)完整的家。

直到維克多一次又一次地出現(xiàn)在自己身邊，默默陪伴著自己，逗自己開心時(shí)，艾米莉亞才幡然醒悟：“原來(lái)人生不止一種選擇，我也可以擁有一段普通又簡(jiǎn)單，不用藏起來(lái)的感情?！?/p>

于是，在維克多的多次邀請(qǐng)下，她終于答應(yīng)和他共進(jìn)晚餐。兩個(gè)人在機(jī)場(chǎng)的餐廳里，享受著美食和美酒，一切都是那么美好。

因?yàn)榫S克多，艾米莉亞終于鼓起勇氣，離開了那個(gè)依戀多年的男人。她扔掉那個(gè)隨時(shí)等待對(duì)方來(lái)電的手機(jī)，把對(duì)方所有的聯(lián)系方式刪除，想從此和維克多單純地在一起。

可是，那么多年的感情，又豈是說(shuō)忘就忘呢？

維克多是個(gè)好男人，可他始終不是艾米莉亞愛的人。艾米莉亞之所以會(huì)答應(yīng)和他交往，是因他能給艾米莉亞一種新鮮的生活方式。那種不需要忍受別人眼光，自由地談戀愛的生活方式。

可當(dāng)兩個(gè)人真的開始交往后，艾米莉亞才發(fā)現(xiàn)，她還是忘不了之前的感情。

所以當(dāng)維克多的簽證生效，可以返回國(guó)家時(shí)。艾米莉亞還是離開了維克多，重新回到了當(dāng)初那個(gè)男人身邊。

結(jié)局時(shí)，艾米莉亞望著傷心的維克多說(shuō)：“一切都是命運(yùn)?！?/p>

兜兜轉(zhuǎn)轉(zhuǎn)，艾米莉亞還是回到了原點(diǎn)。原本她可以和維克多一起幸福地生活，可她偏偏還要再回去當(dāng)那個(gè)第三者。

她的偏執(zhí)，或許才是她所有悲劇的源頭，

在生活中，有很多人像艾米莉亞一樣，明明知道自己做第三者是錯(cuò)的，可是卻始終不愿意走出來(lái)。

她們以為自己終有一天能收獲幸福，但其實(shí)，通往幸福的道路只有一條，那就是在道德的底線之上爭(zhēng)取自己愛情。其它那些不被道德所允許的感情，只不過(guò)是在滿足自己不切實(shí)際的幻想。

走得多了，也就離幸福越來(lái)越遠(yuǎn)了。

像艾米莉亞這種女人，在感情上的悲劇，是注定的。

第四篇：幸福終點(diǎn)站觀后感

初看到《幸福終點(diǎn)站》這部電影的名字，一直在猜測(cè)故事情節(jié)。以為是一個(gè)悲傷的結(jié)局，畢竟“幸?！钡搅恕敖K點(diǎn)”了，還有什么幸?？裳阅?而真正看完這部電影才知道，原來(lái)所謂的“終點(diǎn)”就是幸福來(lái)臨了。起初對(duì)于名字的誤解或許就是思維慣式導(dǎo)致的吧。

這部電影開篇就涉及到了一些敏感的問(wèn)題，比如說(shuō)指責(zé)中國(guó)游客制作了假的證件來(lái)蒙混過(guò)關(guān)。這樣指名道姓的言論似乎欠缺考慮吧?劇本作者應(yīng)該知道這樣的敏感問(wèn)題不能這么公開發(fā)表吧?但是為什么還是義無(wú)反顧的播出了?我想在這點(diǎn)上應(yīng)該有生活中的原型，在這里我們就不過(guò)多的說(shuō)這個(gè)問(wèn)題了。

拋開這些稍顯敏感的話題，我只是想大致的談?wù)勚鹘蔷S克多的經(jīng)歷以及我自己的一些看法感受。

電影一開始是比較搞笑的。由于維克多對(duì)英語(yǔ)只是粗略的了解，在與機(jī)場(chǎng)管理人員對(duì)話時(shí)，他幽默感十足。那時(shí)候他并不知道自己的國(guó)家因?yàn)閼?zhàn)爭(zhēng)已經(jīng)內(nèi)亂，在政治意義上他的祖國(guó)已經(jīng)消失了。管理人員在與他解釋的時(shí)候，他還蒙然不知。

似乎意識(shí)到了什么，他在返回機(jī)場(chǎng)候車廳的時(shí)候，看到機(jī)場(chǎng)電視里關(guān)于他的國(guó)家的報(bào)道，即使他聽不懂英語(yǔ)，但從圖像上看到的一切也足以讓他明白自己的國(guó)家發(fā)生了戰(zhàn)爭(zhēng)，那一刻，他就像失去靈魂一般，那種焦急和恐懼狠狠地向他席卷而來(lái)，他不停的奔跑于機(jī)場(chǎng)之中，想證明什么，在我看來(lái)，這樣或許能減輕一點(diǎn)他的不安。終于，他的心靈還是崩潰了，他接受了一事實(shí)?？上攵?dāng)時(shí)他有多么的無(wú)助，在一個(gè)陌生的國(guó)家，語(yǔ)言不通，寸步難行，連最基本的衣食住行都是個(gè)問(wèn)題。

剛開始，機(jī)場(chǎng)的任何人都沒(méi)有向他伸出援助之手，就連政府都不曾想要接受這個(gè)“麻煩”，他沒(méi)有辦法，他只能等，等自己的國(guó)家結(jié)束戰(zhàn)爭(zhēng)，等自己恢復(fù)身份，等有一天可以完成自己的諾言。

片中的好多情節(jié)都深深地打動(dòng)著我:第一，當(dāng)機(jī)場(chǎng)管理員需要維克多回答對(duì)自己的國(guó)家恐懼的時(shí)候，他毅然決然的說(shuō)不，“這是我的祖國(guó)，我的家，我為什么要怕”就是這么簡(jiǎn)單的一句話，可以看出維克多對(duì)于祖國(guó)的熱愛是有多么的執(zhí)著，沒(méi)有什么能改變祖國(guó)在心中的地位，戰(zhàn)爭(zhēng)也好，政變內(nèi)亂也好，祖國(guó)永遠(yuǎn)是祖國(guó)，永遠(yuǎn)是家。這種執(zhí)念的力量是巨大的，沒(méi)有什么可以改變。

第二，就是機(jī)場(chǎng)里面的工作人員，也就是打掃衛(wèi)生的老人以及其他兩位，他們一開始也是對(duì)維克多不待見，但是隨著時(shí)間的推移，他們慢慢接受了他，并和他一起相處，漸漸生出友誼之情。他幫助其中一位小伙子追求安檢的女孩，最終使他們兩個(gè)走到一起。這也是他的善良之處，雖然與他自己的利益相掛鉤。

第三，他的工作技能還是不錯(cuò)的，無(wú)意間的展示倒是讓建筑工人發(fā)現(xiàn)了他，解決了他的經(jīng)濟(jì)問(wèn)題。他不必在機(jī)場(chǎng)做服務(wù)，也不必求著機(jī)場(chǎng)里那些店主來(lái)給自己一份工作。他靠著自己的能力，解決了自己的生活問(wèn)題。這份精神一般人是做不到的。

第四，由于“山羊”一詞，他徹底被機(jī)場(chǎng)里的人所接受。他的“山羊”救了一個(gè)兒子的孝心，他的“山羊”成就了他被人接受的資本，他的壯舉深深烙印在機(jī)場(chǎng)各種工作人員的心里。我們可以看到，對(duì)于這個(gè)社會(huì)，并不是完全的冷漠，人與人之間的交往還是很溫暖的。

第五，當(dāng)維克多被機(jī)場(chǎng)高官威脅時(shí)，將要對(duì)他最初認(rèn)識(shí)的三個(gè)伙伴進(jìn)行懲罰的時(shí)候，他為了保護(hù)自己的朋友，寧愿放棄自己的承諾。他不愿他們受到傷害，更不要說(shuō)因?yàn)樗Ｋ运艞壛?，但是他的朋友卻為他犧牲了。只因?yàn)樗牡却统兄Z。讓他有更多的時(shí)間去完成自己的諾言。

直到后來(lái)，我們才知道維克多等待的只是一個(gè)諾言，他承諾過(guò)他死去的父親的諾言。在大家的幫助下，他最終完成了自己的承諾。

其中動(dòng)人的情節(jié)很多，觸動(dòng)人心的東西也不少。我只是簡(jiǎn)單的說(shuō)說(shuō)我的看法，也許并不深刻，但這就是我初次看這部影片的感受。

第五篇：幸福終點(diǎn)站觀后感

電影《幸福終點(diǎn)站》講述了男主角維克多為完成父親的遺愿――獲得爵士樂(lè)明星高樂(lè)的親筆簽名而前往紐約，卻因國(guó)家發(fā)生政變，身份不被認(rèn)可而滯留機(jī)場(chǎng)的故事。維克多在機(jī)場(chǎng)等待的九個(gè)月里，學(xué)會(huì)了照料自己的生活，甚至找到了一份建筑工的工作。憑借一顆善心，維克多在機(jī)場(chǎng)結(jié)識(shí)了很多好朋友并贏得了頗高的人氣，在朋友的支持下，維克多沖破了機(jī)場(chǎng)官員弗蘭克的重重刁難，在祖國(guó)戰(zhàn)爭(zhēng)結(jié)束，自己身份重新被認(rèn)可之時(shí)踏上紐約的土地，完成了父親的遺愿。

這部影片中有很多因維克多笨拙的表現(xiàn)而引發(fā)笑料的鏡頭，但與其說(shuō)這是一部喜劇片不如說(shuō)這是一部立志的教育片。在電視上看到祖國(guó)飽受戰(zhàn)爭(zhēng)的蹂躪，維克多憂愁悲哀，我看到一顆熱愛祖國(guó)的赤子之心;在官員弗蘭克的阻撓下，維克多在機(jī)場(chǎng)自力更生，我看到一股堅(jiān)強(qiáng)不跨的生命力;維克多堅(jiān)守完成父親遺愿的信念，沒(méi)有被弗蘭克的勢(shì)力嚇倒，我看到一種敢于為履行承諾而犧牲一切的精神。

維克多執(zhí)著地完成父親的遺愿，履行自己的承諾是貫穿影片的線索，是影片的一大亮點(diǎn)，也是打動(dòng)我們所在。對(duì)于一個(gè)常人來(lái)說(shuō)，國(guó)家遭難，身份不被認(rèn)可已是一個(gè)巨大的打擊，在被遣返的狀況下可能會(huì)拋棄初衷，以后再找機(jī)會(huì)收拾殘局。但維克多始終將自己的承諾當(dāng)作一盞新燈，它發(fā)出的光亮是維克多毅力不倒的動(dòng)力來(lái)源，盡管外部環(huán)境艱苦，茫茫人海中沒(méi)有熟識(shí)的人能夠幫自己的忙，維克多心中的承諾促使他靠雙手謀生計(jì)，并贏得了一份感情。維克多心中的承諾是他期望的燃料，維系著他內(nèi)心的執(zhí)著。影片結(jié)尾處維克多抱著裝了親筆簽名的罐頭并奉上深情一吻的鏡頭深深地打動(dòng)了我，這個(gè)吻出自對(duì)自己履行完承諾的喜悅與自豪，出自對(duì)已逝父親的懷念，出自對(duì)自己許下承諾的愛。

放眼當(dāng)下社會(huì)，欺騙與謊言似乎一向侵噬著人們的生活久久不肯退去，浮躁的氛圍似乎早已容不下一顆堅(jiān)守的心，我們往往被眼前的誘惑與便利迷離了雙眼，忘卻了最初的方向，丟棄了自己的信仰，將自己當(dāng)初信誓旦旦許下的承諾隨手一擲，任其沉入深不可勘的海底。或許我們貞德就應(yīng)波開內(nèi)心的樊籬，從維克多那深情而自豪的一吻中感悟到一些人生的真諦。