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第一篇：英語(yǔ)導(dǎo)游詞泉州導(dǎo)游詞

泉州導(dǎo)游詞

Overview of Quanzhou TouristryQuanzhou is a well-known hometown for overseas Chinese and a majority of the Han population in Taiwanese.The total population in the municipality is over 6.7 million.About 9 million of Han nationality in Taiwan are originally from Quanzhou.In recent years, the number of visitors from Taiwan, Hong Kong and Macao has been increasing.They come back for pilgrimage to their visit ancestors’ graves, visit their families and friends, make investments and conduct busine and sightseeing.This has greatly promoted the social and economic development in Quanzhou.Quanzhou is one of first 24 important national historic and cultural cities announced by the State Council.From Tang Dynasty to Yuan Dynasty, “Citong Port” in Quanzhou was one of the major ports for foreign trade.It was the departure point of “marine silk route” and enjoyed the grand reputation of “l(fā)argest oriental port”.The city has numerous famous scenic spots, cultural and historic relics.Among 399 protected cultural relics in the city, 12 are of state level and 37 are of province level.1.Chongwu Ancient Town “natural film studio” and “Beidaihe in the South”.It is located at Chongwu Township, the coastal jag in the east of Hui-an County.The site covers an area of 300 Mu, winding along the coastline, composed of Chongwu ancient town, Hui-an women glamour, the granite carving museum, and Earth Art.The well-preserved T-shaped city wall of Chongwu ancient town is located on just the opposite of the scenic spot.It is regarded as “case of the ancient systematic civil work due to its unique architecture.The area has been listed by provincial tourism Bureau as the key construction project for tourism and announced by Quanzhou Municipal Government as the first batch of famous scenic spots, receiving over one million tourists each year.2.Qingyuan Mountain Quanzhou is 2 km from the down town and directly acceible by bus.The sight is known as “No.1 Penglai Mountain in Fujian Province” and the “Back garden of Quanzhou”.The scenic sight covers a total area of 62 km2, consisting Qingyuan Mountain, Jiuri Mountain, Lingshan secret tomb, and Xibeiyang.Qingyuan Mountain has three national key culture relics located on 8 sites.The most attractive site is the giant granite statue of an old gentleman, which is 5.63 meters high, 6.85 meters thick and 8.01 meters wide.Covering an area of 55 m2, it is the largest Taoist granite statue existing at present in China.In addition, there are also Islamic tombs in Song Dynasty, Qifeng rock calligraphy group on Jiuri Mountain, the granite statue of “Sanshifu(Three-generation Buddha)”of Tibetan Buddhism of Yuan Dynasty, the giant granite statue of “Amituofu”, and the Buddhist relics of Hongyi master, the senior monk in modern history, and the Buddhist relics of Hui-an native Guanqin master monk which is brought back from Taiwan.The mountain has gathered rock calligraphies of Taoism, Confucius, Buddhism, Muslim, Muni, as well as many fine calligraphy since Tang and Song Dynasties, hence the name of “Museum of Stone Carving”.3.Ling Mountain Sacred Tomb

Fengze District Forest Park.It is the best protected Muslim relics existing in China.Covers an area of 300 m2, the existing tomb is a pagoda shaped Islamic tomb, located in the north and facing the south.The tomb, measuring 2.15 meter long, 1.1 meters wide and 0.6 meters tall, is structured in three layers.On the east, west and north of the tomb are horse-shoe shaped protection cloisters for 9 chambers which are 11 meters wide and 1.04 meters deep.Inside the cloisters, there are 5 monument stones of different dynasties.In front there is a shining-green monument stone carved with Arabic language.On the right it is the monument stone which was laid when Zhenghe came to burn jo sticks before he started the 5th voyage expedition.To the Arab world, the tomb on the Ling Mountain is the third important sacred tomb, next to Muhammad’s tomb in Mecca and Ari Tomb in Iraq.4.Qingjing Mosque National key culture relics, it is located in the middle section of Tumen Street, Licheng District, covering an area of 2500 m2.Qingjing Mosque faces the street in the South, with a pointed dome roof.The dome has three layers: inside, middle and outside.On the external wall, there is a statue on the top, which is carved with “Alcoran” in Arabic.The back wall of the mosque is carved with ancient Arabic script, recording the time of construction and repair and the builders.In the mosque, there is a stone carving of the emperor’s instruction about the protection of the Islamic mosque in Yongle Year 5 of Ming Dynasty(1407).On top of the mosque gate, there is a platform named “platform looking at the moon” which is built with bricks in the shape of dual-square.5.Kaiyuan Temple National key culture relics, it is a 1000-year old temple, famous in China and overseas.Build in Wuzetian Chuigong Year 2 of Tang Dynasty(Year 686), the temple is Located in the west street of Lincheng District, Quanzhou, Fujian Province.The temple has a history of over 1300 years, covering an area of 78,000 m2.Kaiyuan Temple is evenly laid in structure.Starting from the gate, there are the Hall of Heaven King, Praying Pavilion, east and west Corridors, the Precious Hall of Great Hero, Ganlujietan, and scripture store-room.The buildings are laid spectacularly and neatly in a line.Inside Kaiyuan Temple, there stood the east pagoda and the west pagoda, which are also called Ziyun couple pagodas.The east pagoda is named Zhenguo Pagoda, which was made from the wood initially and later replaced by the brick at the height of 48.24 meters.The west pagoda is named Renshou pagoda, which was built from the timber sent by Wang Shenzhi, the king of Fujian.It was named “emotal pagoda”.It was replaced by brick structure in the northern Song Dynasty and changed again to stone pagoda in the Southern Song Dynasty at the height of 44.06 meters.The west pagoda was built 10 years earlier than the east pagoda

6.Luoyang Bridge

A National cultural relics located over Luoyang River, 20 km northeast off Quanzhou.The construction of the bridge started in 1053 and was completed in 1059.Its length is 834 meters and width, 7 meters, with 31 piers.On the two sides of the bridge, there are fences, on top of which there stand delicately carved lion stone statues.The bridge is also decorated with 7 pavilions, 9 pagodas and knight statues standing at each end.With the unique architecture, the bridge is famous both at home and abroad and has gained the reputation of “No.1 bridge acro the sea”.On the outside of the bridge, there are 500 carved stone railings and 28 carved stone lions, symbolizing 28 famous craftsmen;and 81 Buddha statues, including the Moon Buddha.On the north of the bridge, there is a courtyard, which is known as the No.1 courtyard in the south of Fujian Province.7、Anping Bridge A national key culture relic located at Anhai Town of Jingjiang City, Fujian Province, acce to the highway between Fuzhou and Xiamen and the national road No 324.Anping Bridge extends over the bay between Anhai Township of Jingjiang and Shuitou Township of Anhai.The construction of the bridge started in Shaoxing Year 8 of Song Dynasty(1138)and completed in Shaoxing Year 22(1152).Made of granite piers, the bridge is 2700 meters long and it was the longest bridge in the ancient times, known as “no bridge would be longer than this bridge”.The construction of Anping Bridge is unique, because the original piers were designed in three different shapes: square, semi-boat, and raft.The foundation of the bridge adopted “sunken foundation covered by wood” and wooden piles respectively according to the different earth layer.The surface of the bridge was laid with granite slates of 5-11 meters long and 4.5-25 tons each.The bridge surface was laid by utilizing the rising and falling of the tide.8.Shiniu Mountain the territory of Dehua, in the middle of Fujian Province and the southeast part of mid Daiyun Mountain range.Shiniu Mountain is famous for its vicious cliff, strange-shaped rocks, strange-looked trees and mysterious caves.In the park, there are high mountains and a dense forest, with humid climate, excellent natural environment, and bio-diversity.It is a kingdom of plants and paradise of animals.The major tourism attractions include the main peak of Niushi Mountain, Daixian double water falls, bamboo raft drifting on Taoxian Stream, rubber boat drifting on Shilong Stream, Tadou hot spring, Peach-flower Island, the relics of Fujian Provincial committee building.9.Niumu Forest Ecological Sightseeing Zone As a National AAAA scenic spot and provincial natural reserve, it is located at Xiayang town, the west of Yongchun County, Quanzhou of Fujian Province.Niumu forest is the extension of Daiyun Mountain with an attitude of 1,105 meters.It is the largest and best preserved primary forest at present in South China.The main sightseeing area in Niumu forest ecological zone covers 1,000 ha, consisting over 40 scenic spots.The most famous sites are the ecological and scientific popularization museum, orchid garden, Yongchun Tangerine orchard, Qingqian Liule Garden, Cuckoo Castle, board root, strangled killing, parasitic cauline flower, Fujian phoebe trees, yew, foliage, Woniutan, Zhonglidizhu, Konggulaifeng.The entertainment activities offered for tourists include cable sliding at high altitude, gra ski fashion, mock hunting, standard shooting, archery, and jungle field operation.10.Anxi Qingshui Crag

As National AAAA scenic spot and provincial-level culture relics, it is a tourist attraction and religious shrine, located on Penglai Mountain, 15 km northwest from the Anxi County suburb, the hometown of the Iron Buddha Tea.Covering a total area of 11.1 km2 with the peak reaching the altitude of 767 meters, it consists of the temple and pilgrimage zone, Qiyu(praying for rain)ecological zone, Qinshan Recreation zone and memorial zone.With convenience of transportation, it is about 70 km from Quanzhou, 100 km from Xiamen and 120 km from Zhangzhou.The existing temple was built after 1966 and Qingshui Crag is the burial place of Qingshui master monk, a famous monk in Song Dynasty.There is a belief of Qingshui master monk has a wide influence in the Southern Fujian province, Taiwan and Southeast Asian countries.In Taiwan alone, there are over 200 temples named Qingshui Crag.Quanzhou Delicacies and Specialities

1.Quanzhou Glutinous Rice Dumpling of Meat Stuffing

The glutinous rice dumplings of meat stuffing are made in a dainty procedure.The ingredients are mainly glutinous rice, together with half-fat pork and other ingredients, such as taro, chestnut, bran shrimp, lotus seed, chicken, ham and bamboo shoots.2.Quanzhou Yuanhetang Preserved Fruits and Vegetables

Quanzhou Yuanhetang preserved fruits and vegetables are traditional foods, made from different varieties of fruit and vegetables.They enjoy a great reputation all over the world for their sweet and pleasant taste.“Yuanhetang” is a 80-year-old firm proceing preserved fruits and vegetables.Having the function of nourishing the stomach and spleen;promoting appetite, Yuanhetang products are regarded as the best selection for entertaining guests while drinking tea.Overseas Chinese originally from the Southern Fujian Province like to take Yuanhetang preserved fruits and vegetables back to their residential country while people in China like to choose “Yuanhetang” products as souvenirs for their overseas relatives and friends.3.Anxi Tie Kuan-yin Tea

Anxi Iron Kuanyin Tea also known as heart Kuanyin tea and red shape Kuanyin tea.It is the top quality Wulong Tea, the famous tea produced in Fujian Province.The iron Kuanyin tea produced in Anxi County, Quanzhou Municipality contains a number of biological alkaline, vitamins and tannin, protein and aromatic oil.It has the special function of easing anxiety, improving eyesight, preventing arteriosclerosis and cancer, extending youth and mitigating radiation.4.Quanzhou Puppet Head

Quanzhou puppets have a complete image in structure.The figures are widely selected from the figures and roles in the folk operas and legends, roughly divided into 5 major types: Sheng(male), Dan(young female), Jing(painted face, male), Mo(middle aged male), Chou(clown, male or female).There are over 300 puppet masks, which display beautiful shapes, vivid drawings, clear characters, unique artistic styles and local images.5.Hui-an Granite Sculpture

Hui-an granite sculpture is a folk carving craftwork, made from top quality granite(shining-green rock)and carved finely into different sizes of delicate handicrafts, such as round carving, floating carving, line carving, and shadow carving.The granite sculptures produced in Hui-an can be either large as the size which should be lifted and installed by cranes or can be small as the size which can float on the surface of the water.They are beautiful in shape, fine in workmanship, unique in artistic style and strong in local characteristics.Hui-an granite sculpture has a history of 1600 years, well-known as the “home of granite sculptures”.6.Hui-an Bear Gall

Fujian Guizhentang Pharmacy Development Co.Ltd utilizes the rich resource of bear gall from Qianshan Group and has developed Qianshan brand bear gall products, such as bear gall powder, bear gall health tea and bear gall capsules.The company uses the extracted substances from bear galls with other valuable Chinese herb medicine to develop different varieties of new medicines.Bear galls are bitter in taste and cold in nature, having the function of clearing the heat, relieving spasm, improving eye-sight, and killing worms.According to the Chinese medicine, bear gall is effective in curing red eye disease, sore throat, infantile convulsion of children, indigestion and pain caused by worms.7.Laofanzhi Panacea Leaven

Laofanzhi Panacea Leaven is a proceed traditional Chinese medicine, which is a light grey coloured block in aromatic smell and slightly sweet taste.Having the functioned in adjusting the stomach, nourishing the spleen, expelling wind-evil, settling indigestion, and promoting appetite, resolving wetne, it can be applied to treat flue and cold, heat exhaustion in summer, stomach-ache caused by indigestion and vomiting and diarrhoea.8.Quanzhou Rice sculpture

“Zhauggaoren(rice figure)” is made of ground rice(glutinous rice), wheat flour and pigment.The skill of making the rice figures mainly relies on the dexterous fingers.The tools needed are also simple: small sciors, fine comb, gold paper, feathers, bamboo strap and iron thread.The figures made from the dough are generally taken from the stories in four famous major Chinese works, such as “The master travels to the west with his apprentice to obtain scriptures”, “Three brothers in the Peach Orchard”, “Twelve Golden hairpins” and “Wusong kills tiger”.The figures are vivid.After they are made, it takes several days for them to dry under the sunlight, and then paint with a coat of oil to make them shine and to preserve them for a long time.9.Quanzhou Folk Colour cotta

Quanzhou Folk Colour Cottas are made from paper as figures of ancient operas.The work of making colour cotta is divided into standing work and sitting work.The standing work generally refers to making large scale works, such as “Giant Mountain” “Lingcuo” and “Colour Building while sitting work refers to making fine works, including famous figures, birds and animals.In modern colour cotta techniques, the material is earth, wax, plastics, cloth and silk to enhance the expreive force.The folk colour cotta in Quanzhou has a broad influence in China and overseas.The works of “56 ethnic groups”, “Hui-an maidens”, “Maidens form tea producing area”, “Girls from Fishermen Family”, “Lady of Southern Music” designed by Quanzhou JIngxiu Firm have won excellence prizes on the First China Tourism Souvenir competition, and the prize of the best commodity on the First Fujian Provincial Tourism Fair.10.Yongchun Painted Bamboo Baskets

Yonghcun painted bamboo baskets are unique traditional handicrafts produced locally.They are made from over 20 raw materials, including gold foil, fine bamboo skin, raw paint, Chinese wood oil, Xiabu, dongfen through over 30 procedures of moulding, boiling, lining, and painting for over two months.There are over 100 varieties of products including flat baskets, patterned baskets and full baskets, shaped in round, ridged, hexagon, oval, as well as fruit boxes and painted plates.11Yogchun Paper Woven Picture

Yongchun paper woven pictures are a special traditional handicraft, initiated at the end of Sui Dynasty and the beginning of Tang Dynasty, with a history of over 1400 years.The pictures have been sent to over 40 countries for exhibition, presented to the foreign friends as souvenirs, and have become the “friendship envoy” for the promotion of the diplomatic ties.Yongchun County has been granted by the Ministry of Culture the title “Home of China Paper Woven Pictures” and listed for the protection under the “Folk Art Protection Project”.12.Dehua Ceramics

Dehua ceramics is the traditional craftwork.It was started in the Tang Dynasty, developed in Song and Yuan Dynasty and made a breakthrough in Ming Dynasty.The white ceramics produced in Dehua have the reputation of being “white as snow, thin as paper, smooth as jade”.Dehua ceramics is famous especially for its statue of Kuanyin which was made by the senior master He Chaosong and named “Helai Kuan” after his name.The “Ivory White” ceramic statue developed by him is a valuable object unparallel in the world, known as the “crown jewel in the international ceramic sector”.Quanzhou Folk Culture

1.Quanzhou Ceramic culture

“Dehua has many beautiful ceramics”, is how the Italian traveller Marko Polo described Dehua.Porcelain manufacture has a long history in Dehua.Well-known both in China and overseas for its top quality, fine workmanship, the porcelain industry in Dehua is regarded as one of the three major porcelain capitals in China, together with Jingde town of Jiangxi Province and Lilin of Hunan Province.In Ming Dynasty, the “Ivory White” ceramics developed by the great master He Chaozong surprised the world and was named “China White” by the westerners.People describe Dehua top white porcelain as “white as snow, thin as paper, bright as mirror” and describe Dehua Jianbai porcelain as “smooth and transparent as condensed lipid and frozen jade”.The porcelain Kuanyin made in Dehua is called “Oriental Venus”.2.Culture of Hui-an women costumes

The costume culture of Hui-an women dates back into the ancient China.They wore a yellow scarf, a blue short blouse, silver chain and large trousers, which are unique in the national costume culture.The blue short blouse displays the colour of sea and sky, the yellow bamboo hats symbol the land and beach;the flowery scarf indicates the movement of mountain flowers and sea waves.The blouses are tight and short, exposing the navel, displays their characters of being bold, flexible, but extravert.The costume of Hui-an women is always focused on the body above the waist, especially on the head decoration which differs in patterns, occasions and ages.When Hui-an women attend weddings or ceremonies, the head decoration should be bright and colourful to display the “happine”.The old women of Hui-an usually have a bob on the back of the head and wear a black scarf with pins decorated with beads and flowers, which displays a unique style.4.Quanzhou Opera Culture

Dacheng Play

Dacheng play is also named Fashi Play, Monk Play, Douist play and originated from the religion and folk activities in Quanzhou.Formed by combining Buddhist and Taoist activities, it is a religious play, rarely seen in China.The play provides religious services for both Buddhism and Taoism.Dacheng Play was born in Quanzhou and nourished by Quanzhou folk arts, and is especially deeply influenced by thread controlled puppet plays.After emerging as a new play, it has displayed its uniquene in Southern Fujian folk operas due to its super Kongfu and technique.Dacheng play is known for its kongfu which applies Quanzhou South Shaolin boxing.The opera has preserved lots of folk stunts, acrobatics and dances.By adopting Taoist and Buddhist music, and “Puppet melody” of thread controlled puppets, the music of the opera displays a unique religious charm.Liyuan Opera

Quanzhou Liyuan opera is a rare and valuable opera in China, because it still preserves the characteristics of Southern opera from Tang and Song Dynasties.Originating in Quanzhou, it has spread to Taiwan and the Southeast Asian Countries in the footsteps of the emigrants from Quanzhou.Having preserved a large repertoire of southern opera from Song, Yuan and Ming Dynasties, Liyuan opera has been called the “l(fā)iving foil” of opera and is one of the oldest operas existing in China.Liyuan opera is sung by Quan melody.It has preserved a lot of important music from Tang Dynasty and Song Dynasty and is closely related with the ancient music--Southern Tone.The music of Liyuan opera is mainly played by the bamboo flute and string music instruments.Nanyin(Southern Tone)

Nanyin(Southern tone)is an old and beautiful music and is called the “root of the Chinese national music”.Quanzhou is the cradle of the Southern tone.It has become very popular, after it was enriched, matured and optimized by absorbing the strengths from Central China culture, Fujian culture and maritime culture.Embedded in Quanzhou, Southern tone has not only extended to Southern Fujian Province where Southern Fujian dialect is spoken, but also spread to the Southeast Asian countries, Hong Kong, Macao and Taiwan.By paing from one generation to another, it has become increasingly popular as a “home tone” full of strong paion for the loving the hometown and the motherland.Many Chinese and foreign scholars have complimented Quanzhou southern tone as the “treasure in the Chinese claic music”.

第二篇：導(dǎo)游考證導(dǎo)游詞

黃山 導(dǎo)游詞

朋友們，你們好！現(xiàn)在我們已經(jīng)到達(dá)黃山風(fēng)景區(qū)南邊重鎮(zhèn)湯口。在這里先向諸位介紹一下黃山風(fēng)景的概況。

黃山，位于中國(guó)安徽省南部，屬中國(guó)南嶺山脈的部分，全山面積約1200平方公里。黃山山系中段，是黃山的精華部分，也就是我們要游覽的黃山風(fēng)景區(qū)，面積約154平方公里。它在黃山市境內(nèi)，南鄰歙縣，徽州區(qū)，休寧縣和黟縣，北連黃山區(qū)；這五個(gè)縣、區(qū)也都屬于黃山市管轄。

黃山在中國(guó)唐代以前叫黟山，黟是黑的樣子，因?yàn)樯缴蠋r石多青黑青黑的，古人就給它起這樣一個(gè)名字。傳說(shuō)咱們中華族的先祖軒轅黃帝在完成中原統(tǒng)

一、開(kāi)創(chuàng)中華文明之后，來(lái)到這里采藥煉丹，在溫泉里洗澡，因而得到成仙。唐朝著名的皇帝明皇李隆基非常相信這個(gè)說(shuō)法，就在天寶六年即747年下了一道詔書(shū)，將黟山改名黃山。意思是，這座山是黃帝的山。從那以后，黃山這個(gè)名字就一直用到了現(xiàn)在。

朋友們，你們不遠(yuǎn)千里甚至萬(wàn)里到這里，不就是要親眼看一看黃山的美嗎？不就是要感受一次人生快樂(lè)嗎？是的，黃山是絕美絕美的，可說(shuō)天地奇山，能夠登臨它，親眼看看它，確實(shí)是人生的一大樂(lè)事。在很久以前，在漫長(zhǎng)的地質(zhì)歷史時(shí)代，大自然的無(wú)窮魅力，塑造了黃山那絕美的風(fēng)采和種種奇特的景觀，令人傾倒，令人心醉。

黃山的美，首先就美在它的奇峰。這里千峰競(jìng)秀，峰峰稱(chēng)奇，各有特色，各具神韻。黃山奇峰到底有多少，還沒(méi)有一個(gè)確切的數(shù)字。歷史上先后命名的有36大峰，36小峰，近年又有10座名峰入選《黃山志》。這80多座山峰的高絕大多數(shù)都在海拔千米以上，其中蓮花峰最高，光明頂次之，天都峰排行老三，這三大峰和風(fēng)姿獨(dú)秀的始信峰，是黃山的朋友，哪怕登上這四座奇峰中的一個(gè)，也算不虛此行了。

下面，咱們?cè)賮?lái)看看黃山的“四絕”吧。

說(shuō)起這黃山“四絕”啊，排在第一的當(dāng)是奇松。黃山松奇在什么地方呢？首先就奇在它無(wú)比頑強(qiáng)的生命力，你見(jiàn)了不能不稱(chēng)奇。一般說(shuō)，凡有土的地方就能長(zhǎng)出草木和莊稼，而黃山松則是從堅(jiān)硬的花崗巖石里長(zhǎng)出來(lái)的。黃山到處都生長(zhǎng)著松樹(shù)，它們長(zhǎng)峰頂、長(zhǎng)懸崖峭壁、長(zhǎng)在深壑幽谷，郁郁蔥蔥，生機(jī)勃勃。千百年來(lái)，它們就是這樣從巖石崩裂出來(lái)，根兒深深扎在巖石縫里，不怕貧瘠干旱，不怕風(fēng)雷雪雨，瀟瀟灑灑，鐵骨錚錚。其次是，黃山松奇在它那特有的天然造型。從總體來(lái)說(shuō)，黃山松的針葉短粗稠密，葉色濃綠，枝干曲生，樹(shù)冠扁平，顯出一種樸實(shí)、穩(wěn)健、雄渾的氣勢(shì)。而每一處松樹(shù)、每一株松樹(shù)，在長(zhǎng)相，姿容，氣韻上，又各各不同，都有一種奇特的美。人們根據(jù)他們的不同形態(tài)和神韻，分別給它們起了貼切的自然而又典雅有趣的名字，如迎客松、黑虎松、臥龍松、龍爪松、探海松、團(tuán)結(jié)松等等，它們是黃山奇松的代表。

怪石，是構(gòu)成黃山勝景的又一“絕”。在黃山到處都可以看到奇形怪異的巖石，這些怪石的模樣兒千差萬(wàn)別，有的像人，有的像物，有的反映了某些神話傳說(shuō)和歷史故事，都活靈活現(xiàn)，生動(dòng)有趣。在121處名石中，知名度更高一些的有“飛來(lái)石”、“仙人下棋”、“喜鵲登梅”、“猴子觀海”、“金雞叫天門(mén)”等。這些怪石有的是龐然大物，有的奇巧玲瓏；有的獨(dú)立成景，有的是幾個(gè)組合或同奇松巧妙結(jié)合成景。這些怪石因?yàn)橛^賞位置或是角度變了，模樣兒也就有了變化，成了一石二景，如“猴子觀海”又叫“猴子望太平”。

再說(shuō)云海。雖然在中國(guó)其他名山也能看到云海，但沒(méi)有一個(gè)能比得上黃山云海那樣壯觀和變化無(wú)窮。大約就是這個(gè)緣故，黃山還有另外一個(gè)名字，叫“黃?！?。這可不是妄稱(chēng)，是有歷史為證的。明朝有位著名的史志學(xué)家叫潘之恒，在黃山住了幾十年，寫(xiě)了一部60卷的大部頭書(shū)——黃山山志，書(shū)名就叫《黃海》。黃山的一些景區(qū)、賓館和眾多景觀的命名，都同這個(gè)特殊的“?！庇嘘P(guān)聯(lián)，有些景觀若在云海中觀賞，就會(huì)顯得更加真切，韻味也更足了。這些也都證明，“黃?！边@個(gè)名字是名副其實(shí)的。

最后介紹一下溫泉。我們常講的和游覽的溫泉是前山的黃山賓館溫泉，古時(shí)候又叫湯泉，從紫石峰涌出。用它命名的溫泉景區(qū)，是進(jìn)入黃山南大門(mén)后最先到達(dá)的景區(qū)。溫泉水量充足，水溫常年保持在42度左右，水質(zhì)良好，并含有對(duì)人體有益的礦物質(zhì)，有一定的醫(yī)療價(jià)值，對(duì)皮膚病，風(fēng)濕病和消化系統(tǒng)的疾病，確有一定的療效。但是只能浴，不能飲；過(guò)去說(shuō)它可以飲用，是不科學(xué)的。

其實(shí)，黃山溫泉不止一處。在黃山北坡疊嶂峰下，還有一個(gè)溫泉，叫松谷庵，古稱(chēng)錫泉。它與山南的賓館溫泉水平距離7.5公里，標(biāo)高也近，南北對(duì)稱(chēng)，遙相呼應(yīng)。這也夠奇的了。不過(guò)因?yàn)樗靥幤壳斑€未開(kāi)發(fā)利用。

除了“四絕”之外，黃山的瀑布、日出和晚霞，也是十分壯觀和綺麗的。

黃山，山高坡陡，溪流從高山峽谷中奔涌出來(lái)，從陡谷懸崖上飛落下來(lái)，就形成了瀑布。“山中一夜雨，處處掛飛瀑”，就是黃山溫存的生動(dòng)寫(xiě)照。黃山瀑布很多，最壯觀的有“九龍瀑”、“人字瀑”和“百丈瀑”。

黃山四季分明：春天青峰滴翠，山花爛漫；夏天清涼一片，處處飛瀑；秋天天高氣爽，紅葉如霞；寒冬則是銀裝素裹，冰雕玉砌。黃山確是一個(gè)旅游、避暑、賞雪的絕好去處。

九華山 導(dǎo)游詞

各位游客朋友大家好！歡迎各位來(lái)到神奇靈秀的蓮花佛國(guó)—九華山游覽。我是你們今天的導(dǎo)游王萍，大家可以叫我小王。首先小王代表中山旅行社對(duì)各位的到來(lái)表示熱烈的歡迎，在游覽過(guò)程中，小王將竭誠(chéng)為您服務(wù)，希望大家能有一個(gè)愉快的旅途。希望此次的九華之旅能夠給您帶來(lái)靈氣、福氣和好運(yùn)氣！

大家知道我國(guó)四大佛教名山分別是浙江普陀山、山西五臺(tái)山、四川峨眉山，還有一個(gè)便是我們安徽的九華山了。九華山北臨長(zhǎng)江，南望黃山，坐落在安徽省池州市青陽(yáng)縣境內(nèi)，方圓120平方公里。最高峰是十王峰，海拔1342米，是國(guó)家首批重點(diǎn)風(fēng)景名勝區(qū)，國(guó)家5A級(jí)旅游景區(qū)。

講到九華山，不得不提到詩(shī)仙李白，因?yàn)榫湃A山山名和這位詩(shī)仙淵源深厚。九華山原名九子山，后因李白漫游秋浦，遙望九華山如“九朵盛開(kāi)的蓮花”，寫(xiě)下了“妙有分二氣，靈山開(kāi)九華，昔在九江山，遙望九華峰”等描繪九華山秀美景色的千古絕唱。

游九華山，首先要到九華街了。九華街海拔600多米，是九華山的中心，寺廟也主要集中在這里，因此有“蓮花佛國(guó)”之稱(chēng)。這里實(shí)際上是一個(gè)山上的小鎮(zhèn)，除了廟宇外還有商店、旅店、農(nóng)舍和學(xué)校，我們可以在這里住宿，并以此為起點(diǎn)，游覽山上的名勝。隨后我們就來(lái)到了化城寺，化城寺是九華山歷史最悠久的晉代古寺，也是九華山的主寺，寺的建筑依山勢(shì)布局，體現(xiàn)了高超的建筑設(shè)計(jì)藝術(shù)。寺內(nèi)有一口高一丈有余重約200斤的古鐘，鑄造精美，聲音洪亮，用槌撞擊，凝重清揚(yáng)的鐘聲在山谷回蕩，往往使人有超凡脫俗之感。化成晚鐘遂成為“九華十景”之一。

從九華街往東走不遠(yuǎn)，我們就來(lái)到了著名的“百歲宮”，其匾額上書(shū)有“欽賜百歲宮，護(hù)國(guó)萬(wàn)年寺”十個(gè)金字，據(jù)說(shuō)在明朝萬(wàn)歷年間，有個(gè)叫無(wú)瑕的和尚，26歲來(lái)到九華山在一個(gè)人跡罕至的山洞里苦修了一百年，圓寂后三年人們才發(fā)現(xiàn)他的肉身，明崇禎皇帝知道后，封他為“應(yīng)身菩薩”，我們來(lái)到這里可以看見(jiàn)這具頭戴僧帽、身披紅色袈裟，端坐蓮花臺(tái)之上的無(wú)瑕和尚的裝金肉身。

九華勝景在天臺(tái)，最后我們來(lái)到天臺(tái)峰，這是九華山的主峰，海拔1300多米，有“不登天臺(tái)，等于沒(méi)來(lái)“的說(shuō)法，從九華街上天臺(tái)，約15華里山路，沿路經(jīng)過(guò)很多風(fēng)景點(diǎn)，當(dāng)你氣喘吁吁到達(dá)天臺(tái)正頂，眼前的景色將使你胸襟開(kāi)闊，疲勞頓消，遙望九華街只有巴掌那么大了。在天臺(tái)上看日出，其瑰麗雄渾景色不亞于在泰山日觀峰看日出。

好了，美好的時(shí)光總是短暫的，游覽到這里，咱們今天的九華之旅也已接近尾聲了，感謝大家一路上的支持與配合，大肚能容，容天下難容之事，小王途中有服務(wù)不周和講解不當(dāng)?shù)牡胤竭€望大家多多包涵。小王期盼大家的再次到來(lái)，祝愿大家歸途愉快，一路平安。謝謝大家，我的講解到此結(jié)束。

天柱山 導(dǎo)游詞

各位游客朋友大家好！歡迎各位來(lái)到“中華十大名山“之一的天柱山游覽觀光。我是你們今天的導(dǎo)游員王萍，大家可以叫我小王，很高興能與大家相聚于此。在游覽過(guò)程中，小王將竭誠(chéng)為您服務(wù)，小王大家能有一個(gè)愉快的旅途。趁離天柱山還有十幾分鐘的路程，就讓我為大家簡(jiǎn)單介紹一下天柱山吧！

天柱山風(fēng)景區(qū)是國(guó)務(wù)院在1982年公布的首批國(guó)家重點(diǎn)風(fēng)景名勝區(qū)，也是2000年公布的首批國(guó)家4A旅游景區(qū)和全國(guó)文明森林公園、國(guó)家地質(zhì)公園，2003年因“一柱擎天“而得名被評(píng)為”中華十大名山“。天柱山規(guī)劃保護(hù)區(qū)總面積333平方千米，主景區(qū)面積82多平方千米，曾受到詩(shī)仙李白這樣的贊譽(yù)”奇峰出奇云，秀木含秀氣“。天柱山物種豐富，植被繁茂，名山秀水，高山平湖，竹海松濤，給人們消去城市的煩躁和工作的壓抑，是休閑養(yǎng)身的好去處。天柱山在歷史上有許多名稱(chēng)，像皖山、皖公山、南岳、萬(wàn)歲山、潛山等，這些不同的山名體現(xiàn)了天柱山悠久的歷史和厚重的文化。皖山這個(gè)名字最早，皖是古代國(guó)家的名字，天柱山屬古皖國(guó)所在地，春秋時(shí)期，周大夫皖伯封于皖，因?yàn)樗卫硗顕?guó)有功，后世為了稱(chēng)揚(yáng)他的功德，就將山稱(chēng)為“皖公山”簡(jiǎn)稱(chēng)“皖山”，河也成了皖河，后來(lái)“皖”成了安徽的簡(jiǎn)稱(chēng)，等我們登上天柱山就可以一睹渾然天成、惟妙惟肖的皖公神像了——他可是我們安徽的“老祖宗”喲！

朋友們，現(xiàn)在就讓我們一起去領(lǐng)略一番吧！我們今天的游覽路線是這樣安排的：從旌駕橋進(jìn)入三祖寺景區(qū)，游覽山谷流泉摩崖石刻，經(jīng)馬祖庵景區(qū)到主峰景區(qū)，再到龍?zhí)逗泳皡^(qū)?？傊睦镉辛聋惖娘L(fēng)景哪里就有我們的腳步，一定讓大家大飽眼福，擁有一次難忘的天柱山之旅。我們馬上就過(guò)旌駕橋了，當(dāng)年漢武帝駕臨天柱山拜岳時(shí)，這一片山體環(huán)抱的港灣就是漢武帝登陸的地方，成為谷口，然后皇家車(chē)駕著鳳凰穿過(guò)谷口的一座橋，就是這座旌駕橋了。過(guò)了旌駕橋就是三祖寺景區(qū)了，它是天柱山人文景點(diǎn)最集中、文化品位最高的一個(gè)文化精品景區(qū)。我們?cè)谶@里可以感受到天柱山神秘的宗教文化和帝王文化，觀賞到具有歷代書(shū)法藝術(shù)長(zhǎng)廊之稱(chēng)的國(guó)家重點(diǎn)文物保護(hù)單位——摩崖石刻等。我們現(xiàn)在來(lái)到了三祖寺前的廣場(chǎng)，大家看前面，紅墻黛瓦映襯在這綠樹(shù)翠林當(dāng)中，整個(gè)山形就像一只展翅欲飛的彩鳳，珍藏著三祖寺百顆舍利子的覺(jué)寂塔就建在這鳳冠上，這東西兩側(cè)的山崗就是彩鳳的一對(duì)翅膀。三祖寺，全稱(chēng)“三祖山谷乾元禪寺”，關(guān)于三祖寺的歷史這就涉及到天柱山的宗教文化了，我給大家講一個(gè)佛道爭(zhēng)山的故事。天柱山靈絕山水加上歷代帝王的加封，使之成為仙山寶地。天下名山分為36洞天和72福地，天柱山列為第十四洞天和第五十七福地，因此引起歷代佛道兩教的爭(zhēng)奪。公元505年，梁武帝的國(guó)師寶志和尚和江南云游方士白鶴道人都奏請(qǐng)將鳳形山賜為己用，武帝知道他們法術(shù)高明就命他們各顯神通，以物為記，物到哪兒就到哪兒居住。這寶志和尚就是我們所熟識(shí)的濟(jì)公**，他手握錫杖，說(shuō)“貧僧以杖卓地為記”。這白鶴道人也不甘示弱，他的拂塵可以化為白鶴，說(shuō)“貧僧以鶴止處為記“。說(shuō)罷，這白鶴道人將手中的拂塵拋向空中，化為一只白鶴，飛向鳳形山。濟(jì)公將手上的錫杖也投向空中，頓時(shí)化為一條巨龍尾隨在白鶴身后，這白鶴飛向鳳形山上空，那條銀色巨龍突然襲擊，白鶴嚇得掉頭往東飛落在白鹿崗，濟(jì)公的錫杖則卓入鳳形山，當(dāng)他收起錫杖，卓土的地方立刻涌出一股甘泉，這就是我們現(xiàn)在看到的卓錫泉，又叫卓錫井。濟(jì)公在鳳形山開(kāi)山建寺，武帝賜名”山谷寺“。白鶴道人就在白鹿崗建白鶴觀，宋徽宗賜名“真源萬(wàn)壽宮”。唐宋時(shí)期，天柱山佛道兩教盛極一時(shí)，寺觀眾多，有“三千道人八百僧”的說(shuō)法。從寶志和尚開(kāi)山算起，三祖寺到2015年已歷時(shí)1510年了。來(lái)到天柱山，怎能錯(cuò)過(guò)那山谷流泉摩崖石刻呢？讓我們稍事休息，接下來(lái)再隨我一同前去參觀摩崖石刻吧！

謝謝大家，我的講解到此結(jié)束。

新四軍軍部舊址 導(dǎo)游詞

各位游客朋友大家好！我是來(lái)自安徽旅行社的導(dǎo)游王萍，大家可以叫我小王。小王很高興在這樣一個(gè)陽(yáng)光燦爛的日子里和大家相遇，在游覽過(guò)程中小王將竭誠(chéng)為您服務(wù)，希望大家能有一個(gè)愉快的旅途。下面就請(qǐng)大家跟隨我的步伐一起踏入這神圣的紅色領(lǐng)地，去了解這段光輝的歷史歲月。

新四軍軍部舊址，位于三面環(huán)山，一面環(huán)水，地勢(shì)險(xiǎn)惡的涇縣云嶺，由司令部、政治部、大會(huì)堂等10余處構(gòu)成，占地面積約為3萬(wàn)平方米，是國(guó)家4A級(jí)旅游景區(qū)。云嶺是新四軍軍部所在地，所以被稱(chēng)為“新四軍的搖籃”。1941年1月，新四軍將士在此慘遭國(guó)民黨伏擊，損失慘重，這就是震驚中外的“皖南事變”。周恩來(lái)同志痛心疾首，寫(xiě)下了“千古奇冤，江南一葉；同室操戈，相煎何急”的題詞。

我們來(lái)到這革命老區(qū)，就不得不瞻仰革命先烈們?cè)?jīng)居住過(guò)的地方，我們現(xiàn)在所處的地方就是“鐘墨園”。軍長(zhǎng)葉挺、副參謀長(zhǎng)周子昆等新四軍將領(lǐng)曾在這里居住、辦公。1939年春，周恩來(lái)同志視察涇縣時(shí)也曾下榻這里。葉挺軍長(zhǎng)不僅是著名的軍事家，還是攝影藝術(shù)家。大家看，這里的攝影展，是葉挺軍長(zhǎng)生平作品，它們真實(shí)地再現(xiàn)了當(dāng)年的烽火歲月，是新四軍軍史中不可多得的寶貴資料。

接下來(lái)我們看到的這座房屋就是“大夫第”。樓上樓下共有64間房，副軍長(zhǎng)項(xiàng)英曾在此樓底層居住、辦公。廳堂是用來(lái)招待參謀工作會(huì)議，也當(dāng)過(guò)機(jī)要員的宿舍，辦過(guò)閱覽室。由“大夫第”向東眺望，有一座小巧玲瓏的木橋橫跨在葉子河兩岸。這座橋就是由葉挺軍長(zhǎng)親自設(shè)計(jì)的，并親自在橋的柵欄上題寫(xiě)“軍民合作，抗戰(zhàn)到底”八個(gè)大字，全國(guó)解放后，云嶺人民為表達(dá)對(duì)葉挺軍長(zhǎng)的敬意，將這座橋命名為“葉挺橋”。

現(xiàn)在我們來(lái)到的是軍部大會(huì)堂。大會(huì)堂舊址前的中央矗立著一座項(xiàng)英銅像，這是新四軍老戰(zhàn)士為了紀(jì)念項(xiàng)英同志遇難60周年捐資鑄造的。軍部大會(huì)堂原為陳氏宗祠，是涇縣最大的兩座祠堂之一。1938年8月2日，新四軍進(jìn)駐云嶺，這里便成為軍部大會(huì)堂，經(jīng)常在此地舉行集會(huì)、文藝演出。前廳靠大門(mén)的是座木質(zhì)舞臺(tái)，上面陳列著1929年2月24日周恩來(lái)同志在軍部舉行的歡迎大會(huì)上作《新階段新關(guān)鍵》演講場(chǎng)景。寬敞明亮的中廳兩側(cè)墻上書(shū)有“忠孝節(jié)義”四個(gè)大字，廳中央安放著周恩來(lái)同志塑像。宗祠的后面是座兩層樓房，現(xiàn)在為新四軍軍部舊址陳列館，陳列了抗日戰(zhàn)爭(zhēng)中所取得的豐功偉績(jī)，呈現(xiàn)了新四軍在云嶺團(tuán)結(jié)抗戰(zhàn)的傳奇歷史。

云嶺的山水經(jīng)歷了戰(zhàn)爭(zhēng)的洗禮，云嶺的草木藏有動(dòng)人的故事，它們都給我們展示了不畏艱險(xiǎn)、機(jī)智勇敢的革命精神。

游客朋友們，咱們今天的新四軍軍部之旅到這里就結(jié)束了，感謝大家一路上的支持與配合，小王途中有服務(wù)不周和講解不當(dāng)?shù)牡胤竭€請(qǐng)各位多多包涵，小王期盼大家的再次到來(lái)，期待與大家的再次相遇，最后祝愿大家歸途愉快，一路平安！

我的講解到此結(jié)束，謝謝大家。

龍子湖公園 導(dǎo)游詞

各位游客朋友大家好！歡迎大家來(lái)龍子湖景區(qū)游覽，我是安徽旅行社的導(dǎo)游王萍，大家可以叫我小王。有道是“千里有緣來(lái)相會(huì)，無(wú)緣對(duì)面不相逢”。今天我們能在此相遇是一種緣分，我會(huì)十分珍惜這來(lái)之不易的緣分，盡我最大的努力給大家?guī)?lái)快樂(lè)，預(yù)祝大家此次旅途開(kāi)心愉快。在到達(dá)景區(qū)之前，我先簡(jiǎn)單的給大家介紹一下龍子湖公園。

龍子湖風(fēng)景區(qū)坐落于蚌埠市東郊，國(guó)家4A級(jí)旅游景區(qū)，主要由800畝龍子湖水面、曹山、雪華山、西蘆山及錐子山組成，大體呈三山夾一湖的獨(dú)特地貌。好了，我們的車(chē)已經(jīng)到了龍子湖風(fēng)景區(qū)，今天上午我們要參觀的是龍子湖、龍子湖橋頭公園、淮河風(fēng)情園和水上樂(lè)園，希望大家做到心中有數(shù)。

我們現(xiàn)在看到的這個(gè)寬廣的水面，就是龍子湖了。龍子湖是蚌埠市東郊的天然水域。明代天啟年間的《鳳陽(yáng)新書(shū)》記載，它原來(lái)是一片洼地，淮水倒灌，直至徐家橋，一片汪洋，由此形成湖面。龍子湖三面環(huán)山，山水相依。得名傳說(shuō)有二：一說(shuō)湖邊農(nóng)民們?yōu)榧o(jì)念“雙龍行雨”解除旱災(zāi)，故稱(chēng)“龍子湖”；一說(shuō)朱元璋少年時(shí)在湖上劃船，掉下?lián)螚U，化龍升天，故名“龍子湖“。龍子湖風(fēng)景優(yōu)美，四季景色宜人，是城市中一個(gè)最靜謐的休閑之地。

好了，大家跟我往前走，現(xiàn)在我們所在的位置就是橋頭公園了。橋頭公園是整個(gè)龍子湖周邊建設(shè)計(jì)劃中的一部分，將整個(gè)龍子湖建成一個(gè)環(huán)湖公園。公園以“陽(yáng)光、綠色、親水、休閑“為理念，分為親水區(qū)、門(mén)戶(hù)區(qū)、活力區(qū)、探索區(qū)和慶典區(qū)五個(gè)部分。為保持水岸優(yōu)美的生態(tài)園林，移栽了香樟、銀杏、廣玉蘭、桂花、日本晚櫻等上百個(gè)樹(shù)種。整個(gè)公園綠化率高達(dá)77%，面積多達(dá)19萬(wàn)平方米。公園以龍子湖大橋?yàn)榻?，分為南北兩園。南園是親水園，占地面積約7萬(wàn)平方米，由”湖山在望“、”露天劇場(chǎng)“、”臨湖廣場(chǎng)“、”竹園“四個(gè)獨(dú)立景區(qū)構(gòu)成。北園是門(mén)戶(hù)區(qū)、活力區(qū)、探索區(qū)和慶典區(qū)，占地18萬(wàn)平方米。園內(nèi)有綠島、游艇碼頭、南北氣候分界線青銅雕塑、瞭望廣場(chǎng)等，使得公園的廣場(chǎng)和景觀設(shè)施融為一體。清晨曹山日出，朝霞灑滿(mǎn)龍湖水面，成為這座城市陽(yáng)光水岸；晚間華燈初放，水中光影斑斕，與明月交相輝映。游人或漫步水上棧橋，或流連在林間小道，從繁華喧鬧的都市回歸自然。

好了，大家繼續(xù)往前走，現(xiàn)在看到的就是淮河風(fēng)情園與水上樂(lè)園。位于北園的雪華山下，1997年建成開(kāi)放后，已成市民攜子游樂(lè)，夏天游泳戲水的好去處。以淮河文化為主題的風(fēng)情園，以古代圖騰柱的形式，將日、月、星辰、龍、鳳、山、川有機(jī)的構(gòu)成一個(gè)氣度恢弘、高低錯(cuò)落、變化有致、富有韻律的大型雕塑群。園內(nèi)鐘靈毓秀，內(nèi)有天然水池，池水清澈澄清。四周碧水，分布九座古鼎雕塑，寓意禹鑄九鼎，象征華夏一統(tǒng)。在碧水清澈，綠楊翠柳，曲橋風(fēng)亭的園林中，設(shè)有各類(lèi)兒童游樂(lè)設(shè)施，更增添了淮河風(fēng)情園的情趣。

走這么遠(yuǎn)的路也介紹了這么多，想必大家都累了吧，下面給大家一個(gè)小時(shí)的自由活動(dòng)時(shí)間，自由觀賞，一個(gè)小時(shí)后我們就在剛剛下車(chē)的地方集合吧。大家游覽時(shí)一定要注意安全喲！

謝謝大家，我的講解到此結(jié)束。

禾泉農(nóng)莊 導(dǎo)游詞 各位游客朋友們大家好！歡迎各位來(lái)到禾泉農(nóng)莊游覽觀光，我是安徽旅行社的導(dǎo)游王萍，大家可以叫我小王。小王很高興能與大家相聚于此，在游覽過(guò)程中小王將竭誠(chéng)為您服務(wù)，希望大家能有一個(gè)愉快的旅途。我先簡(jiǎn)單的給大家介紹一下禾泉農(nóng)莊的概況。

禾泉農(nóng)莊是國(guó)家4A級(jí)旅游景區(qū)，安徽省農(nóng)家樂(lè)旅游示范點(diǎn)。它位于蚌埠市西郊，坐落在荊涂山風(fēng)景區(qū)內(nèi)，占地650畝，依山傍水，景色宜人，它是安徽省第一家通過(guò)有機(jī)認(rèn)證的農(nóng)莊。它以休閑、觀光旅游、展示皖北農(nóng)耕民俗風(fēng)情，弘揚(yáng)大禹文化為主題，同時(shí)也是安徽懷遠(yuǎn)石榴科研繁殖基地。我們的車(chē)已到達(dá)禾泉農(nóng)莊的門(mén)口，請(qǐng)大家?guī)Ш眯欣钗锲?，隨我一起下車(chē)。

首先映入我們眼簾的就是禾泉第一景——禹鼓余韻。這農(nóng)莊的門(mén)樓是由56根原木搭建而成的，傳說(shuō)這里就是當(dāng)年大禹治水、召集天下諸侯議事的議事廳前門(mén)的模式，門(mén)前的大鼓傳說(shuō)就是大禹用來(lái)迎接各地諸侯的樂(lè)器之一，大家可以來(lái)感受一下，這古樸醇厚的鼓聲表達(dá)了大禹對(duì)各路治水英雄的敬意和感激之情。

現(xiàn)在我們來(lái)到的就是禾泉第二景——禾泉清流。農(nóng)莊前面的池塘里長(zhǎng)著荷花，四季放養(yǎng)著紅錦鯉魚(yú)。在盛夏的時(shí)節(jié)，你可以欣賞到“接天蓮葉無(wú)窮碧，映日荷花別樣紅”的美麗景色。池水是和山泉想通的，池水久旱不涸。相傳大禹治水時(shí)也曾用過(guò)此泉，水質(zhì)清澈甘甜，四周的稻田經(jīng)過(guò)泉水的澆灌，香甜糯口，后人就將此泉取名為“禾泉”。禾泉農(nóng)莊就是因此而得名。

果樹(shù)飄香便是禾泉第三景，用禾泉的泉水澆灌生長(zhǎng)的花草樹(shù)木，清香宜人?！拔业牟说亍笔菍?zhuān)門(mén)為喜愛(ài)農(nóng)耕文化的游客們推出的互動(dòng)項(xiàng)目，游客可以親自體驗(yàn)翻地、播種和種菜的樂(lè)趣。平時(shí)，農(nóng)莊可以為游客管理，到了收獲的季節(jié)，游客可以盡情的享受用泉水澆灌的不含農(nóng)藥和化肥的有機(jī)蔬菜。這里還有從美國(guó)引進(jìn)的水果之王—藍(lán)莓，每年的6月到7月都是藍(lán)莓收獲的季節(jié)。

俗話說(shuō)“懷遠(yuǎn)的石榴，碭山的梨，蕭縣的葡萄，符離集的燒雞，皖北四大特產(chǎn)，懷遠(yuǎn)的石榴排第一”。如今有“懷遠(yuǎn)石榴看涂山，涂山石榴看禾泉”之說(shuō)。說(shuō)到這里，大家知道這一景叫什么嗎？對(duì)啦，這就是和泉第四景—榴花似火。春夏之際，滿(mǎn)園的石榴花盛開(kāi)，正如詩(shī)中所云“五月榴花紅似火”。極目遠(yuǎn)眺，就有“似火榴花映刺山”的感覺(jué)。大家現(xiàn)在看到的就是安徽省最大的石榴專(zhuān)業(yè)盆景園了，園內(nèi)的數(shù)百盆盆景造型各異，千姿百態(tài)，樁齡百年，十分珍貴。

大家往這邊走，就是咱們今天要游覽的最后一景了，叫做遺履浴足。為什么叫做遺履浴足呢？這里是有這么一個(gè)典故，大家現(xiàn)在所處的這個(gè)位置呢就是荊涂山的余脈刺山的山腳下，大家看到的這一泓碧水，伸向水邊的山崖自然出現(xiàn)了一排圓溜溜的石頭，極像人的腳趾，傳說(shuō)這就是大禹的腳。相傳，這里就是“大禹浴足池”。大禹勤勞一生，為了治水，每天顧不上吃飯，書(shū)上說(shuō)他“日中不暇飽食”，為了爭(zhēng)取時(shí)間連自己的鞋掉了也顧不得拾起來(lái)，竟光著腳趕路。大禹在荊涂山峽治水，面對(duì)一片汪洋，遍地泥濘，他常常用木棒做成雪橇那樣的東西綁在腿上艱難的行走。到了天黑休息的時(shí)候，才能解開(kāi)腳上綁著的東西，在水里洗洗腳然后睡覺(jué)。而這里正是他當(dāng)年洗腳的地方，因此叫做遺履浴足。

朋友們，這次禾泉農(nóng)莊之旅即將結(jié)束了，感謝大家一路上的支持與配合，小王途中有服務(wù)不周或講解不當(dāng)?shù)牡胤竭€請(qǐng)大家多多包涵，小王期盼大家的再次到來(lái)，最后祝愿大家一路平安，歸途愉快！

謝謝大家，我的講解到此結(jié)束。

垓下古戰(zhàn)場(chǎng) 導(dǎo)游詞

生當(dāng)作人杰，死亦為鬼雄。至今思項(xiàng)羽，不肯過(guò)江東。朋友們大家好！歡迎各位來(lái)到垓下古戰(zhàn)場(chǎng)遺址觀光游覽，我是安徽旅行社的導(dǎo)游王萍，大家可以叫我小王。很高興能與大家相聚于此，在游覽過(guò)程中小王將竭誠(chéng)為您服務(wù)，希望大家能夠有一個(gè)愉快的旅程。現(xiàn)在，就由我先簡(jiǎn)單的給大家介紹一下：

被譽(yù)為“東方滑鐵盧”的垓下古戰(zhàn)場(chǎng)遺址，位于今蚌埠市固鎮(zhèn)縣濠城境內(nèi)，史稱(chēng)“垓下之戰(zhàn)”，是世界七大古戰(zhàn)場(chǎng)之一。1986年經(jīng)安徽省人民政府批準(zhǔn)為省級(jí)重點(diǎn)文物保護(hù)單位。這里人杰地靈，民風(fēng)淳樸，歷史沉淀深厚，秦磚漢瓦，俯首皆是。

而今的垓下，雖歷經(jīng)兩千多年的風(fēng)雨滄桑，遺址猶存，仍可見(jiàn)當(dāng)年風(fēng)貌。其著名的景點(diǎn)有“霸王別姬”、烏騅馬、虞姬池等等。

好了朋友們，咱們現(xiàn)在開(kāi)始出發(fā)吧！首先，映入我們眼簾的這座大型塑像就是“霸王別姬”。以“垓下之戰(zhàn)”為歷史背景，以楚霸王項(xiàng)羽與虞姬的愛(ài)情故事為素材，采用現(xiàn)實(shí)主義與抽象主義相結(jié)合的手法創(chuàng)造而成。說(shuō)起來(lái)這里面呀，是有這么一段故事的，當(dāng)年劉邦率領(lǐng)數(shù)十萬(wàn)漢軍四面包圍楚軍，展開(kāi)決戰(zhàn)攻勢(shì)，項(xiàng)羽帳中飲酒慷慨悲歌，留下了千古絕唱：“力拔山兮氣蓋世，時(shí)不利兮騅不逝。騅不逝兮可奈何，虞兮虞兮奈如何！”兩把青銅利劍拔地而起，對(duì)峙成一個(gè)大三角，劍的底部基石上刻有左青龍右白虎的圖形，以示龍虎之爭(zhēng)。雕塑的四周，安放了楚國(guó)最具代表性的樂(lè)器—編鐘，象征著“四面楚歌”的戰(zhàn)爭(zhēng)氛圍。

我們現(xiàn)在所看到的這尊體態(tài)高大彪悍、桀驁不馴的石馬雕像就是烏騅馬。此馬日行千里，凌空若飛，項(xiàng)羽乘坐此馬征戰(zhàn)數(shù)載，出生入死，屢建戰(zhàn)功。相傳，項(xiàng)羽死后，烏騅馬伏在主人身旁七天七夜，不飲、不眠、不食，最終饑餓而死。

烏騅馬旁，便是著名的虞姬池。當(dāng)年項(xiàng)羽軍帳駐扎于此時(shí)，虞姬常到池邊浣發(fā)，池水清澈見(jiàn)底，水面如境，久旱不涸。池邊兩棵古樹(shù)，一棵千年榆樹(shù)同根伴生著一棵桑樹(shù)，相依相偎，當(dāng)?shù)厝朔Q(chēng)為連理樹(shù)—榆抱桑。據(jù)傳，虞姬自刎后，這里是項(xiàng)羽抱著虞姬的遺體痛哭的地方，后來(lái)此地生長(zhǎng)出一棵榆樹(shù)和一棵桑樹(shù)，榆樹(shù)緊緊的抱著桑樹(shù)，象征著項(xiàng)羽與虞姬的忠貞愛(ài)情。

朋友們，游覽了這些著名的景點(diǎn)之后，咱們?cè)賮?lái)看一看近年來(lái)在此地陸續(xù)出土的一批國(guó)家級(jí)文物吧。垓下古戰(zhàn)場(chǎng)遺址內(nèi)出土了各類(lèi)完整和可復(fù)原器物170余件，主要是石器、陶器、鐵器和錢(qián)幣等。據(jù)有關(guān)歷史文獻(xiàn)記載，劉邦和項(xiàng)羽在垓下及周邊地區(qū)發(fā)生了史上著名的楚漢戰(zhàn)爭(zhēng)—垓下之戰(zhàn)，出土的銅箭鏃、鐵箭鏃、楚蟻鼻錢(qián)等文化遺物符合秦漢之際的特點(diǎn)，從考古方面佐證了這一歷史事實(shí)。

垓下古戰(zhàn)場(chǎng)遺址為中華文明起源找到了新的佐證，是安徽史前考古的一個(gè)重大突破，填補(bǔ)了安徽無(wú)史前城址的空白，對(duì)研究古代城市發(fā)展具有重要的價(jià)值。

好了，美好的時(shí)光總是短暫的，游覽到這里，咱們今天的垓下之旅也已接近尾聲了，感謝大家一路上的支持與配合，小王途中有服務(wù)不周和講解不當(dāng)?shù)牡胤竭€請(qǐng)各位多多包涵，小王期盼大家的再次到來(lái)，祝愿大家生活好，心情好，一切都好！

我的講解到此結(jié)束，謝謝大家。

涂山 導(dǎo)游詞

各位游客朋友大家好！歡迎各位來(lái)到涂山風(fēng)景區(qū)觀光游覽，我是安徽旅行社的導(dǎo)游王萍，大家可以叫我小王。很高興能與大家相聚于此，在游覽過(guò)程中小王將竭誠(chéng)為您服務(wù)，希望大家能有一個(gè)愉快的旅途。

涂山風(fēng)景區(qū)位于蚌埠市西郊，雄踞淮河南岸，是大禹治水的確鑿證據(jù)之地。中國(guó)歷史上以大禹為首的規(guī)模巨大的“九導(dǎo)天下之川”的故事就發(fā)生在這片神奇的土地上。中國(guó)大一統(tǒng)社會(huì)的奠基禮就是在涂山舉行的，從而確立了涂山文化在淮河文化以及夏文化中的重要?dú)v史地位和價(jià)值。我們今天的游覽線路呢主要是沿著朝禹路，經(jīng)系馬石、臺(tái)桑、臥仙石、啟母石等多處景點(diǎn)到達(dá)禹王宮。

我們的車(chē)已經(jīng)到達(dá)了涂山腳下，請(qǐng)大家?guī)Ш眯欣钗锲冯S我一起下車(chē)。俗話說(shuō)“走路不觀景，觀景不走路”，大家在游覽中一定要注意安全。

我們現(xiàn)在的位置就是朝禹路邊了。您現(xiàn)在看到的這塊高約2米的石柱，就是“系馬石”。據(jù)史料記載，自唐代以來(lái)，歷朝的文武百官，在每年的六月初六登涂山拜祭大禹，為了表示對(duì)圣人的崇敬，文官必須在此下轎，武官必須在此下馬，乃在此處立石系馬，“系馬石”也由此得名。

沿著朝禹路往前走幾步，在我們的左邊就是著名的“臺(tái)?！?，臺(tái)桑俗稱(chēng)臺(tái)桑石，距今已有4000多年的歷史，據(jù)我國(guó)史學(xué)、民俗學(xué)專(zhuān)家考證，此為中國(guó)古代青年男女幽會(huì)的遺址。它的存在為世界民俗學(xué)的研究提供了獨(dú)一無(wú)二的物證。臺(tái)桑的附近，一上一下，這兩塊石頭相依而立，這就是鴛鴦石。相傳，這里也是啟的誕生之地，為中國(guó)歷史上第一個(gè)朝代——夏王朝第一位皇帝的誕生地。

再往前走看到的就是臥仙石，與臺(tái)桑石相鄰。相傳，當(dāng)年大禹與涂山氏女女?huà)稍谶@里，促膝談心，結(jié)下了美好的姻緣。

抬眼望去，這尊高十來(lái)米的石像就是啟母石了。啟母，即啟的母親。相傳禹娶涂山氏女，因忙于治理水患，婚后4天就離家而去，多年未回，賢德癡情的啟母憂心忡忡，常常在山坡上眺望滾滾的淮河，盼望丈夫早日歸來(lái)，久而久之，竟“漫云化石危崖巔”，現(xiàn)在通常也把啟母石叫做“望夫石”。

游客朋友們，現(xiàn)在大家來(lái)到了涂山的頂端，呈現(xiàn)在我們面前的就是禹王宮。相傳是漢高祖劉邦下旨建造的，距今已有2200多年的歷史了，現(xiàn)在禹王宮仍存廟舍三間，前院左右為清靜道院和純陽(yáng)道院，穿堂的客廳是提供休息的地方。禹王宮的這兩棵古銀杏，古態(tài)蒼蒼，雖經(jīng)過(guò)雷霽火焚，仍然安然無(wú)恙，殘桿上又長(zhǎng)出丈余高的櫧桃樹(shù)，人稱(chēng)“樹(shù)中樹(shù)”。相傳，此樹(shù)是禹娶涂山氏女時(shí)所植，要問(wèn)樹(shù)齡究竟幾何，難以確定，只有古語(yǔ)云“先有樹(shù)，后有山，禹王問(wèn)樹(shù)幾千年”。詩(shī)圣蘇東坡登臨涂山曾經(jīng)寫(xiě)下“山外有山都入畫(huà)，樹(shù)中生樹(shù)不知年”的詩(shī)句。爬了這么遠(yuǎn)的路也介紹了這么多，想必大家都累了吧，下面給大家一個(gè)小時(shí)的時(shí)間自由活動(dòng)，自由觀賞，一個(gè)小時(shí)后我們就在宮門(mén)口集合吧。大家游覽時(shí)一定要注意安全喲！謝謝大家，我的講解到此結(jié)束。

第三篇：泉州開(kāi)元寺大殿導(dǎo)游詞

大殿正中供奉的是御賜佛像毗盧遮那佛，漢譯大日如來(lái)，是佛教密宗的神抵。其兩旁是五代王審修大殿時(shí)增塑的四尊大佛，依次為東方香積世界阿z佛，南方歡喜世界是寶生佛，西方極樂(lè)世界阿彌陀佛，北方蓮花世界成就佛，合稱(chēng)五方佛，也叫五智如來(lái)。這五尊大佛金光閃爍，衣紋清晰，神容慈祥，法相莊嚴(yán)，雙手分別作說(shuō)法、施與、接引、禪定等相，工藝精巧，令人嘆絕。五方佛的脅侍有文殊、普賢、阿難、迦葉以及觀音、勢(shì)至、韋馱、關(guān)羽、梵王、帝釋等諸天菩薩、護(hù)法神將共10尊。在大殿后正中供奉著密宗六觀音的首座圣觀音以及善才、龍女和兩翼神態(tài)各異的十八羅漢。開(kāi)元寺歷代住持皈宗不一：有法相宗、律宗、凈土宗、密宗、禪宗等宗派，而大殿卻能保持這種罕見(jiàn)的規(guī)制，這既值得夸耀，也是值得研究的。

大雄寶殿還有一個(gè)“百柱殿”的雅稱(chēng)。全殿原計(jì)劃設(shè)立柱子一百根，后來(lái)因?yàn)樾枰胖梅鹣窈万v出給佛教徒朝拜的地方，便加長(zhǎng)了珩梁，減少了立柱，成為86根柱子的“百柱殿”。崇禎十年(公元1637年)右參政、按察使曾櫻與總兵鄭芝龍重修開(kāi)元寺紫云大殿時(shí)，將其中木柱全部換成石柱。百柱殿的柱子形式豐富多彩，有宋、元、明各時(shí)期的海棠花式柱、圓柱、方柱。楞梭柱、蟠龍柱等。尤其是殿后廊檐間那對(duì)16角形輝綠巖石柱，雕刻著古代印度和錫蘭流傳的古印度教大神克里希那的故事和花卉圖案24幅，引起中外學(xué)者的極大興趣。它與殿前月臺(tái)須彌座束腰處的72幅輝綠巖獅身人面像和獅子浮雕，同為修殿時(shí)從已毀的元代主印教寺移來(lái)的。它們是宋元時(shí)期泉州海外交通繁榮發(fā)達(dá)，中外文化友好交流的歷史見(jiàn)證。

在五方佛前石柱和珩梁接合次，有兩排相向的24尊體態(tài)豐腴、紋飾華麗、色彩斑斕，雙翼舒展的天女，梵文“頻伽”(即妙音鳥(niǎo))。據(jù)佛經(jīng)說(shuō)：此鳥(niǎo)發(fā)聲微妙，仙音優(yōu)雅，連歌神緊那羅都不及她。他們?cè)欠鸬氖陶?，而能工巧匠們把她們的下半身嵌人柱榫里，翼脅之下爪足外露，上半身向前伸出，昂首挺胸，短衣半袒，櫻洛圈脛胚，雙臂伸展，腕著馴鐲，手棒文房四寶，瓜果點(diǎn)心，絲竹管弦，翩翩若仙。他們不但給人以美的藝術(shù)享受，而且用以代替斗拱，依托粗大的珩梁，減少其過(guò)大的跨度，極為巧妙地將宗教、藝術(shù)與建筑融合起來(lái)，令人稱(chēng)絕。

第四篇：泉州開(kāi)元寺大殿導(dǎo)游詞

我們現(xiàn)在已經(jīng)到了福建省內(nèi)最大的寺廟――泉州開(kāi)元寺。開(kāi)元寺占地面積78000平方米。它規(guī)模宏大，構(gòu)筑壯觀，景色優(yōu)美，曾與洛陽(yáng)白馬寺、杭州靈隱寺、北京廣濟(jì)寺齊名。開(kāi)元寺初名“蓮花寺“，后改為“興教寺”、“龍興寺”。唐開(kāi)元二十六年（公元739年）唐玄宗下令全國(guó)各州建一座開(kāi)元寺，遂改現(xiàn)名。

人們常說(shuō)“自古名山僧占多”，其實(shí)是冤枉了出家人。與世無(wú)爭(zhēng)的僧人隱身在高山峻嶺之上，本意是修心養(yǎng)性，卻常成為德高望重的高僧，因而山以僧名，聞名遐邇。而泉州開(kāi)元寺就座落在平平無(wú)奇的鯉城區(qū)西街，與凡世的隔絕只靠山門(mén)前這堵象征性的屏障一紫云屏，這無(wú)形中縮短了塵世與佛門(mén)的距離。缺少名山大川的陪襯，卻多了善男信女的親近，這就是泉州開(kāi)元寺的獨(dú)特之處。

泉州開(kāi)元寺是全國(guó)重點(diǎn)文物保護(hù)單位，也是福建省“十佳”風(fēng)景區(qū)，或許大家想知道，開(kāi)元寺何以能夠聞名海內(nèi)外呢？那就讓我們一起慢慢領(lǐng)略、細(xì)細(xì)品味吧。

跨過(guò)山門(mén)就到了拜亭。站在這里，我們可以看到拔地而起的東西塔和寬敞明亮的東西兩廊對(duì)稱(chēng)地排列在兩旁，而我們所在的位置就在開(kāi)元寺的中軸線上。佛教傳入我國(guó)巳有一千多年歷史，并在中國(guó)落地開(kāi)花，與中國(guó)文化融為一體。開(kāi)元寺的布局就突出了我國(guó)古建筑的南面為尊和中軸線為主的特點(diǎn)。

拜亭前的這個(gè)大石庭，是個(gè)“凡草不生”的拜庭，供古今官民朝拜和活動(dòng)。每逢農(nóng)歷二十六日，這里人山人海，梵唄聲聲，一派泉南佛國(guó)景象。石庭兩邊分列著八棵200至800歲的大榕樹(shù)，陰翳蔽日，盤(pán)根錯(cuò)節(jié)，增添了開(kāi)元寺靜寂、莊嚴(yán)的氣氛。樹(shù)下排列著11座唐、宋、明時(shí)期不同形式的古經(jīng)幢、小舍利塔，以及兩只F?。庭种x怪昧⒆乓蛔3米多高的石雕焚帛爐，蓋鈕雕蹲狻猊，爐身周雕幡龍、祥云、蓮瓣、蔓草等紋飾，形制優(yōu)美，雕工精妙。焚帛爐稍后兩側(cè)，還有兩座南宋紹興十五年（公元1145年）泉州南廂柳三娘捐建的印度萃堵波的方形石塔，塔上刻有薩錘太子舍身飼虎的故事，是印度教在南宋時(shí)留下的痕跡。

在中軸線上的主體建筑，就是眼前這座大雄寶殿。因傳說(shuō)建殿之時(shí)有紫云蓋地，所以又叫紫云大殿。大殿上方這塊巨匾寫(xiě)有“桑蓮法界”四個(gè)魏碑風(fēng)格的大亨，以應(yīng)桑開(kāi)白蓮之說(shuō)。早在唐朝初期，泉州已盛產(chǎn)絲綢。這片地原是大財(cái)主黃守恭的桑樹(shù)園，后來(lái)捐給匡護(hù)大師建寺。關(guān)于這件事，有一個(gè)很動(dòng)人的傳說(shuō)：一天，黃守恭夢(mèng)見(jiàn)有一個(gè)僧人向他募地建寺，他說(shuō)等桑樹(shù)開(kāi)白蓮花后就獻(xiàn)地結(jié)緣。幾天后，滿(mǎn)園桑樹(shù)果然都開(kāi)出白蓮花，黃守恭深被無(wú)邊佛法所感動(dòng)，果然把這片桑樹(shù)園捐獻(xiàn)出來(lái)。其實(shí)，黃守恭本為樂(lè)善好施之人，桑開(kāi)白蓮之說(shuō)乃是人們敬慕佛祖，附會(huì)而成，但這一神奇的傳說(shuō)卻為泉州人民所津津樂(lè)道，世代相傳，因而開(kāi)元寺也得了“桑蓮法界”的美稱(chēng)。

大殿正中供奉的是御賜佛像毗盧遮那佛，漢譯大日如來(lái)，是佛教密宗的最高神抵。其兩旁是五代王審修大殿時(shí)增塑的四尊大佛，依次為東方香積世界阿z佛，南方歡喜世界是寶生佛，西方極樂(lè)世界阿彌陀佛，北方蓮花世界成就佛，合稱(chēng)五方佛，也叫五智如來(lái)。這五尊大佛金光閃爍，衣紋清晰，神容慈祥，法相莊嚴(yán)，雙手分別作說(shuō)法、施與、接引、禪定等相，工藝精巧，令人嘆絕。五方佛的脅侍有文殊、普賢、阿難、迦葉以及觀音、勢(shì)至、韋馱、關(guān)羽、梵王、帝釋等諸天菩薩、護(hù)法神將共10尊。在大殿后正中供奉著密宗六觀音的首座圣觀音以及善才、龍女和兩翼神態(tài)各異的十八羅漢。開(kāi)元寺歷代住持皈宗不一：有法相宗、律宗、凈土宗、密宗、禪宗等宗派，而大殿卻能保持這種罕見(jiàn)的規(guī)制，這既值得夸耀，也是值得研究的。

在五方佛前石柱和珩梁接合次，有兩排相向的24尊體態(tài)豐腴、紋飾華麗、色彩斑斕，雙翼舒展的天女，梵文“頻伽”（即妙音鳥(niǎo)）。據(jù)佛經(jīng)說(shuō)：此鳥(niǎo)發(fā)聲微妙，仙音優(yōu)雅，連歌神緊那羅都不及她。他們?cè)欠鸬氖陶?，而能工巧匠們把她們的下半身嵌人柱榫里，翼脅之下爪足外露，上半身向前伸出，昂首挺胸，短衣半袒，櫻洛圈脛胚，雙臂伸展，腕著馴鐲，手棒文房四寶，瓜果點(diǎn)心，絲竹管弦，翩翩若仙。他們不但給人以美的藝術(shù)享受，而且用以代替斗拱，依托粗大的珩梁，減少其過(guò)大的跨度，極為巧妙地將宗教、藝術(shù)與建筑融合起來(lái)，令人稱(chēng)絕。

藻井下分五級(jí)。壇臺(tái)的最上層供奉明代的盧舍那佛木雕坐像，其所坐蓮花臺(tái)座有一千葉蓮花瓣，每片蓮葉上各刻一尊6厘米大小的佛像，十分精妙。盧舍那四周各層侍立著金剛鉤、金剛索、金剛鈴、金剛鎖四菩薩，還有釋迦牟尼、阿彌陀佛、寒山、拾得、千手觀音的及韋馱天將等24尊菩薩神像。其中尤以八大金剛塑像為最佳。它們怒目結(jié)發(fā)，赤足袒胸，顯得無(wú)比威嚴(yán)。環(huán)繞壇座的束腰處還有護(hù)三皈、護(hù)五戒的各種神王牌64個(gè)。戒壇是佛教徒受戒的地方，這種神秘肅穆的氛圍，正可使人敬畏不迭，諸念俱滅，一心皈依。據(jù)說(shuō)這種戒壇在全國(guó)已寥若晨星了。常言道物以稀為貴，大家也算有眼福了。

在中軸線的兩邊，還有一些建筑群：東有由迦藍(lán)祠改建的檀樾祠，紀(jì)念施主黃守恭。黃氏四安（南安、惠安、同安、安溪）后裔及海外紫云家族無(wú)不以此為榮。有俗稱(chēng)“小開(kāi)元寺”的準(zhǔn)提禪林，原供奉天臺(tái)宗的準(zhǔn)提菩薩；西有尊勝院，現(xiàn)已開(kāi)辟一部分為弘一法師紀(jì)念館，有水陸禪寺，以供寺僧棲息。

聳立在拜庭兩側(cè)廣場(chǎng)中，相距約200米的八角五層樓閣式仿木結(jié)構(gòu)石塔就是泉州東西塔，它是開(kāi)元寺的重要文物。它以塔身的雄偉、形制的奇妙，建筑的神工和雕鏤的精美而揚(yáng)譽(yù)海宇，吸引著自宋至今的無(wú)數(shù)中外學(xué)者和游人前來(lái)游覽、觀瞻、揣摩和研究。

泉州開(kāi)元寺石塔是我國(guó)古代石構(gòu)建筑瑰寶。從石塔的建筑規(guī)模、形制和技藝等方面來(lái)看，都可以說(shuō)得上精妙絕倫。它充分體現(xiàn)了宋代勞動(dòng)人民高度的智慧和偉大的創(chuàng)造性。它不但在中國(guó)石塔中堪稱(chēng)佼佼者，在世界上也是首屈一指的。它既是中世紀(jì)泉州海外交通鼎盛時(shí)期社會(huì)空前繁榮的象征，也是泉州歷史文化名城特有的標(biāo)志?，F(xiàn)在，東西塔影雕作品已成為我市最高層領(lǐng)導(dǎo)人饋贈(zèng)佳賓的珍貴禮品。因此可以說(shuō)，東西塔已成為泉州的象征。既是泉州人民的驕傲，也是海外僑胞和寶島同胞所憧憬的鄉(xiāng)影。即使是沒(méi)有到過(guò)泉州的人也常在說(shuō)：做人要“站著像東西塔，躺著像洛陽(yáng)橋”，可見(jiàn)東西塔在他們心目中的份量。

大凡名剎，必有名僧。歷代的開(kāi)元寺僧人，或以佛學(xué)著作稱(chēng)勝，或以詩(shī)詞文章聞名，或弘道揚(yáng)名，或入世獻(xiàn)身，代有高僧：唐代的開(kāi)山祖匡護(hù)大師，五代唯識(shí)大師，律宗釋弘則，凈土宗釋楚勤，南禪釋文展，橋成造化的釋義波，禪宗第一住持釋妙恩，溫陵禪師釋戒環(huán)，藹益大師釋智旭，“為文似柳、為詩(shī)似陶“的釋大圭，更有“念佛不忘救國(guó)、救國(guó)不忘念佛”、集佛學(xué)、書(shū)法、金石、音樂(lè)、繪畫(huà)、詩(shī)文于一身的現(xiàn)代律