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第一篇：《毒液》觀后感

《毒液》今年最后一部“漫威”電影。最終確定是在11月9日上映。作為《蜘蛛俠》系列里面的經(jīng)典反派，相信很多人就算是沒有聽說過，那個長相也見得不少了。從電影本身來看，有五大看點：

看了電影之后，會覺得這個“毒液”有點丑萌。雖然還是很暴力，但牙齒已經(jīng)磨平了好多，眼神也溫柔了很多。更主要的是，嘴炮話嘮的個性延續(xù)了下來。男觀眾看的是它的威猛和超強武力值。女觀眾看的是它“幽默的壞”。

輕松趣味。毒液和它的宿主互懟不斷，笑破觀眾的肚皮。毒液強大、傲嬌又毒舌。宿主衰爆、懦弱又嘴貧。不同的性格融合在一起，看似神經(jīng)質(zhì)，實則拯救了世界。

酷炫特效燃到爆。毒液不僅可增強宿主力量，治愈各種致命傷，更是可以幻化成各種各樣的冷兵器、防御裝備或翼翅進行戰(zhàn)斗。最驚艷的是毒液從艾迪背后噴涌而出，變成觸手給予敵人致命一擊的那一刻。當(dāng)然毒液脫離宿主身體，和宿主對話的那一幕也是非常nice。

PG-13的分級的確限制了它的發(fā)揮，不夠血腥不夠暴力，但是以一敵眾，勢不可擋?？耧j摩托，血脈噴張。終極肉搏互撕，嗨翻全場。液體戰(zhàn)袍，耍帥至尊。特制鎧甲，震撼感官。毒液之“爽”，超出想象。

令人驚嘆的演技。湯姆?哈迪分飾兩角，自己“折磨”自己，演技精湛。演員用自己的魅力，讓毒液成為史上最有魅力的另類英雄。

總體而言，就是一部標(biāo)準的商業(yè)超級英雄大片，有瑕疵，但是整體上還行。放低期待，然后買張票。去看看，你會覺得還行。

第二篇：《戰(zhàn)狼2》英語觀后感

Alex H.

A Review on Wolf Warriors 2

Floating in mid-air then falling down to the marble earth this afternoon was the blue-white cinema ticket, a proof of me having watched the hit film Wolf Warriors 2 at 7 p.m. on 23rd, August when I attempted to tidy up my personal zone in the room. Naturally, this precious evident faced the fate of going straight to the dust bin as any others, since the saying goes Discarding useless and sometimes useful items from time to time is the best improvement to life, my U-life dogma.

But there is no way to suppress the impulse of sitting down at my desk and putting something down about the film even in the middle of the night.

First of all, admittedly, it is a nice movie. It is neither extraordinary, super nor perfect. But it did not matter. Although the latest super-film I have watched in the cinema as far as I remembered is Interstellar. (Of course there were better ones but I did not go for a movie very often.) All of these did not change my affection and compliments to Wolf Warriors 2.

I wont spend a single word on the plot. It is now taken granted that Wolf Warriors 2 has been watched when mentioned in a conversation as long as the interlocutor is a Chinese. I dont want to be disingenuous: the story-line is an absolute cliché with a fixed mode that has fallen out of both fashion and favour in the west decades ago: individualistic heroism, single-handed, patriotism, mêlée against the vicious White and all. What needs to be pointed out is these are either completely novel or relatively new to the film industry in China: Against White? Conventional. An actioner? Too Unusual. Military mêlée? Never before! In modern timeline? Neither! Heroism? A No-no. Localised individualistic heroism? Unheard-of! Patriotism yet within an acceptable scale accompanied by comedic elements? Revolutionary.

All above?

Ground-breaking and pioneering.

Although all mentioned techniques are familiar, it is the first time that they have been done by Chinese and presented in a totally Chinese style. It is also the first time they are so combined ever. I am not ashamed of ‘Shanzhai’, counterfeit and plagiarism, since it is an unavoidable process to those who come after: Copy before innovation. What matters in this sense is whether the entity has arrived in the latter stage in the end. Wold Warriors 2 possessed features of copying but also noticeable innovation and originality. Although some of the plots and the handling of the various elements are still immature, they are way advanced, almost a world ahead of their predecessors. WW2 is a juvenile but potential and worth encouragement. And I’m not going to hold back mine this time: Suffice it to say, it is the first time I have found excitement and seen hope in a China-made commercial movie in the theatre. I was wonderstruck and more than content.

As China enjoys the boosting of economy, modernity and living standard, there comes a growing national pride and a need for us to express and emphasize this self-recognition. We are really starting taking pride in the achievement we’ve made and how far we’ve been so far for the first time in history as Chinese. Such desire reaches a record-breaking culmination, a level it has never been on before. The Chinese are demanding for a corresponding culture. We are desperately seeking for an identifier as a movie that reflects up-to-date status. We want our nationalism and patriotism to be inspired and amplified at some moment in the screening room and to have such a film to talk about and find consensus in just like the Americans and find in and identify themselves with Lambo, Roger Stevens, and Cowboy. The existing ones are either so improperly propagandistic that the spectators want to throw up and very much to be exclusive from them, or too old-school and out of date that it is already a brand-new modern urban shame to mention them. WW2 seized this opportunity and met the long empty spiritual need in the nick of time with appropriate ingredients and apt measures under Goldilocks conditions.

WW2 IS a miracle. But its one that all Chinese hope will last, even we, the cynical youths. “Because for most of us, its the first pride since the 21st century.”And trust me, it is a cultural milestone for all Chinese.

第三篇：《戰(zhàn)狼2》英語觀后感

On the premiere day of "war wolf 2", I couldnt bear it. However, I couldnt buy tickets all the time and missed the premiere day of "war wolf 2". The next day, I finally bought the ticket and walked into the cinema with great excitement. Sure enough, the film didnt disappoint me. The shock of the fighting scene, the spirit of the soldiers and the blood of the wolf were performed incisively and vividly.

At the beginning of the film, it seemed that the audience was brought to a climax. Leng Feng jumped into the sea naked and fought hand to hand with many pirates to save the whole ship. With his comrades in arms, he returned the urn of a comrades in arms who died in the mission to his hometown. When facing the unreasonable demolition team, Leng Feng couldnt bear it. He kicked the contractor to death, which once again reflected the blood of the soldiers, Leng Feng also violated discipline and was jailed.

In this film, the fighting scene almost runs through the whole audience. Leng Feng fought alone and fought side by side with his teammates. The audience called it fun. There are two scenes that I remember most. One is that when Leng Feng sent the picture of mercenaries slaughtering innocent workers back to the warship with his mobile phone, the people on the whole ship saw that scene, gnashing their teeth and tears, Finally, after receiving the order from the superior, after the Supreme Commander "fired, fired", the missiles as dense as rain rushed directly to the location of the mercenaries. At that time, I saw the whole audience watching the film stand up and burst into loud applause with tears. The applause overshadowed the sound of the missiles.

Another picture is that when the battle is over and Leng Feng leads a group of rescued workers back to the place, he passes a war zone. When everyone thought he couldnt get through, Leng Feng stood up, said "give me the national flag", used his arm as a flagpole, let the five-star red flag fly in the air of other countries, and then said "drive", boldly passing through the war zone. At that moment, Chinas prestige was shining and shocking. The audience stood up again and burst into thunderous applause.

At the end of the film, there is a book with a paragraph written on it. People who want to see it clearly remember it, which means that no matter where you are and in danger, you always remember that there is a strong motherland behind you, which is your strongest backing.

第四篇：《毒液》觀后感

據(jù)說《毒液：致命守護者》是來自漫畫改編。這部電影超強的魅力來自反派毒液帶給我們的正義。男主由湯姆、哈迪飾演。聽看過的朋友說特恐怖，讓我這個小女生最好不要進影院單獨去看。

許久不進影院的我，聽說有好萊塢大片，于是無論朋友說什么，我都得進影院一覽究竟。

寒冷的冬天，走進影院買了一張票，于是跟著一艘飛船的墜落，劇情開始了。男主埃迪?布洛克先是丟了工作，隨后女友也離開了他，造成這一切的原因是埃迪想挖出一個大新聞，卻不想被反勢力迫害。原本報社記者身份的埃迪失業(yè)了，變成了無業(yè)游民。他煩躁無奈，甚至不敢伸張正義，眼睜睜看著雜貨店女老板被打劫……

30分鐘的故事描述后，劇情突變有了轉(zhuǎn)機。埃迪深夜?jié)撊氪蠓磁晒救∽C搞秘研究的內(nèi)幕，卻陰差陽錯讓外星共生體附著了自己的身體。

從此，埃迪的生命中便有了另一部分和自己完成了六神合體，也就成為了毒液。

也就是說，只有當(dāng)埃迪和外星共生體結(jié)合后才能稱作“毒液”，否則，毒液本身是以液態(tài)形式存在，沒有任何意義。而當(dāng)它與宿主結(jié)合后才能維持生命，同時也能賦予宿主超強的力量和能力。與此，那個滿身布著著黑色的粘液，狹長泛白的眼睛，利齒尖嘴，張口便是一個大舌頭，斜歪著風(fēng)趣的大嘴怪，聲音沙啞的有些迷人，磁性的誘惑，才可出現(xiàn)。毒液出現(xiàn)時它張牙舞爪，亦正亦邪，完全呈現(xiàn)出另類的英雄氣概。而這一切歸根結(jié)底是宿主埃迪的本質(zhì)。

在被逼無奈的情況下兩人成為一個共體：毒液。埃迪并不是它的主人，同時外星共生體也不能百分之百操控埃迪，他們是有著各自思想、欲望，是一個活生生的生命。

在埃迪的身體里附著了寄生蟲，那么他似乎就有了超能力，就像穿上了一個戰(zhàn)神盔甲?？梢詰?zhàn)無不勝。他可以抵擋來追捕自己的敵人，也可肆無忌憚的在餐廳里的魚缸里生吃大龍蝦……

埃迪經(jīng)常和外星共生體談人生、愛情、還有應(yīng)做的事不應(yīng)做的事，他們制定了規(guī)則，以至于最后還上升到拯救了地球。

打斗場面精彩紛呈，各種的飛檐走壁，槍林彈雨中的穿梭，車戲更是爽到爆，還有各種的幽默搞笑，一起疊加起來，在恐怖中讓人耳目一新。

愛情最終沒能讓人所愿，埃迪沒有和溫柔的女主在一起。

但在火箭消滅那一刻時，聽到“Goodbye,Andy”，內(nèi)心突然生出很多惋惜，就這么沒了……不，并沒有就這么沒了，和女友分手后，外星共生體回來了，回到了他的身邊，隨即他們倆，又開始了制訂規(guī)定……

雜貨店女老板被打劫，埃迪這一次并沒有袖手旁觀，而是以毒液吃掉了劫匪……

影片結(jié)束了。我卻對于吃人這件事，不可思議，即便行使正義，那么適當(dāng)才好，應(yīng)把壞人交付警察叔叔比較好，讓法律來制裁壞人！

好了，讓沒有Ganeover 的外星共生體而興奮一會兒吧！喜歡毒液，喜歡正義，喜歡幽默，喜歡吐著長舌頭的黑黑粘液的它……

第五篇：《毒液》觀后感

周日下午和趙奕婷去金億看了漫威電影《毒液》，感覺觀影前后反差略大啊。

不得不夸一下特效，簡直華麗到眼花繚亂。以及埃迪飾演者一人演出兩人的風(fēng)采，實在是令人贊嘆。

我想毒液應(yīng)該是電影中傳統(tǒng)反派的形象，但劇情的發(fā)展卻使我有些驚訝。作為外星生物，毒液沒有理由喜歡上使他離開母星的地球。但埃迪使他改變了侵略的主意。

我想最根本的原因是埃迪的經(jīng)歷引起毒液的共鳴。

埃迪僅僅因為對職業(yè)的極其嚴謹而得罪了被采訪對象，進而被公司開除。 他的人生軌跡從此轉(zhuǎn)折，未來一片灰暗，他也因此而變得頹廢、毫無斗志。因此毒液認為埃迪是“l(fā)oser”，但他自己又何嘗不是呢？

在漫威另一部影片《蜘蛛俠》中，反派毒液的侵略計劃最后以失敗告終。

所以我認為，打動毒液的不僅僅是埃迪不屈不撓的精神，還有感同身受的經(jīng)歷。

但毒液并不是想象中十惡不赦的典型壞人，而是一個有血有肉、有著自主思想的的“人”。他可以盡自己一切所能去幫助埃迪，可以在險境中運用自身優(yōu)勢來借此逃生，可以犧牲自己去阻止同類首領(lǐng)侵略地球的陰謀……我想，毒液雖然是外星生物，卻比某些人更加坦誠善良、富有情義，至少，他愿意為自己的良知做出實際行動。

結(jié)尾依然是漫威大多數(shù)電影中喜聞樂見的團圓情節(jié)，這或許是大多數(shù)人樂于看到的。

不過還是想吐槽一下毒液這個種族的一些特征：怎么一個比一個黑啊……

第六篇：《毒液》觀后感

以一個電影人的眼光評價《毒液》，《毒液》在好萊塢或是漫威改編的電影中，只能算是二流電影。豆瓣評分僅僅7.4分。

在開局一個飛船墜落造成驚悚意外的鏡頭后，劇情就開始了長達30分鐘漫長的人物與背景鋪墊。男主角先是丟了工作，然后又丟了女友，與我的劇本《夢幻旅館》的男主角的前期遭遇很雷同。然而我只敢用幾分鐘的篇幅介紹《夢幻旅館》男主角曾經(jīng)的形象和接下來讓人同情的命運，《毒液》卻用了超過半小時的時間來詳細描述，然后男主角才被反方勢力盯上，與反方開始正面沖突。雖然有減輕預(yù)算的嫌疑，但即使在好萊塢大片中，這也算大膽的嘗試?！督饎?第一部》前期超長鋪墊就曾遭人非議。好萊塢商業(yè)大片中，十幾分鐘的鋪墊就不算短了，30分鐘的鋪墊足以無視經(jīng)典的三幕式理論，而國產(chǎn)商業(yè)電影從來不敢在這方面拖延太多的時間。在平淡的陳述過程中，期望欣賞眼花繚亂劇情的觀眾可能大量流失。自從網(wǎng)絡(luò)大電影開始流行“前6分鐘”感官轟炸，本來不講究鋪墊的國產(chǎn)電影，大多把鋪墊扔在了垃圾桶中，鋪墊的細膩之處更是無從談起。

毒液出乎意料地獲得了超好的票房回饋。盡管周四沒有多少票房預(yù)定，但周五首映日下午開始，毒液像是開掛了一樣，到晚上票房飆升至2個多億，預(yù)計周六當(dāng)天會有3個億的收入。根據(jù)貓眼數(shù)據(jù)，毒液的排片從49%增加到54%，或許到周日周一，這個數(shù)字還會不斷增加。

按照常規(guī)理論，毒液本可以塑造非?？植赖姆諊兓獪y而具有生命氣息的液體，比起鐵血戰(zhàn)士其神秘性絲毫不差，在恐怖分寸的塑造中，它甚至可以超過《異形》。然而《毒液》在氛圍的表現(xiàn)上，還不及《摩天營救》中讓人心驚膽戰(zhàn)的驚險。

毒液的劇情中生硬地加入了幽默喜劇的元素，而驚悚劇情與搞笑劇情在同一時刻疊加，并沒有有條理地錯開，這在好萊塢恐怖電影中不多見。但毒液的嘗試已經(jīng)證明，(中國)觀眾對恐怖電影的承受力正在加強，或者說，電影作品越來越多的現(xiàn)實狀況下，觀眾對各種風(fēng)格電影的體驗越來越無感，觀眾心理在驚懼與發(fā)笑之間的情緒轉(zhuǎn)變也正在變得不可理喻。這讓一部本有風(fēng)險的作品變得容易讓市場接受?？傊?，毒液依靠喜劇角色支撐起本當(dāng)讓人懼怕的劇情。

毒液成功的一個大亮點，應(yīng)該說是影片最能引發(fā)觀眾情感的因素：主角以接地氣的普通形象出現(xiàn)，這種角色深入人心，代表了大部分普通人群，而這個人物偏偏很有趣。這大概是影片成功的關(guān)鍵。而刻畫一個鮮明的角色，確實離不開大篇幅的人物刻畫。然而，我們停留在跟風(fēng)、局限于依靠故事主題和框架想象電影結(jié)果的當(dāng)下，怎樣才能有魄力去無視常規(guī)理論，嘗試讓人耳目一新的電影?